ROCK RUNDOWN FOR 7/22/22

A Cure For Love – “Cafeteria Harrison (Isn’t It Grand to Feed the Birds?)”: The devil-may-care indie rockers from Canal Winchester, Ohio return with a sizzler of a single that fits their signature sound, which is great news for their ever-growing following. The latest tune is a message of a terminated relationship of some kind with a predominately upbeat feel that has excellent harmonies throughout, which is attributed to each lads’ individual talents and proliferation behind-the-scenes. From the jump, the song starts off on high speed which enables the lads to showcase their musical savvy as musicians and songwriters. There are moments where ACFL slows the pace and in those areas, they reinforce their craftiness to be able to switch things up with precision. The group’s acclaimed recordings and well-received live shows make them one of the most unique and bubbling under rock outfits in the area. “Cafeteria Harrison” only contributes to the band’s allure as their fanbase will enjoy it and indie rock aficionados who hear it are sure to embrace it. Together for six years and counting, the high-energy and charismatic quartet are breaking through this year with high energy gigs within the Buckeye state and as part of an east coast tour. The band is also working on a new LP, but until that drops those curious of ACFL’s quirky musicianship ought to stream their previous full-length Storm In A Teacup with notable nuggets like “Snowcone”, “Stupid Dog (You Make Me Look Bad)”, “Bjorn”, and more.

*Photo by Mitchell Multimedia

The Scratches – “FOMO”: Always high on adrenaline, the Columbus melodic punk rock outfit is back in a big way with their most mainstream song yet. As one will ascertain from the title, the tune is about seizing the day and life itself and that attitude resonates with lots of people during the state of the world. The group’s perspective on what the past two years have meant to them is set to a masterfully constructed song with equal parts pop, punk, and rock. “FOMO” is a well-done track that sounds as though it would come from the minds of Blink-182. Considering The Scratches’ Bandcamp page has a cover of Blink’s “Dammit”, it is safe to say the apple does not fall far from the tree. The dynamic dual vocals combined with massive drum work, perfectly placed bass, and polished guitar play make for three minutes and thirteen seconds of serious fun. The Scratches have themselves quite the head bobber that has potential as a rock and pop radio staple if the chips fall where they should. The song sounds ready for the big time due to the combination of the band’s sharp songwriting and cunning musical chops along with the beloved Jakob Mooney of Mooney Recordings handling the recording and mixing aspects. Due to the pandemic and its continuing effects, the fear of missing out is the message of the decade and “FOMO” is an excellent tune to capture the spirit of risk takers everywhere.

Off Home Road – “This Time It’s Different”: Each and every day, SAUL drummer Myles Clayborne is garnering praise and respect as a soloist and as a Producer at Vigilante Studios. The song’s title is quite appropriate as this is a departure from his previously dropped hard rock single “I’m Fine”. This time around, Clayborne tackles the electropop genre and does so without a hitch, creating what should be a dance club staple. The song is about being close to throwing in the towel, but giving romance another chance. From the opening note to the closing one, it is clear that his experience in a litany of bands and his talents as a multi-instrumentalist have prepared him well in creating this prolific bop. “This Time It’s Different” belongs on Top 40 radio immediately as Off Home Road is a musical act with legs for days. The single has the on-point beats, scintillating snyth notes, 80s inspired guitar, and hip harmonies that pop enthusiasts will adore. The most admirable fact about this tune is that Clayborne wrote it on June 28 at the spur of the moment. It sometimes takes songwriters years to pen masterpieces and for Clayborne to come up with what should be a mainstream smash in a day demonstrates amazing aptitude. The tune’s beats are not the only thing booming for Off Home Road as he recently collaborated with Eliano on the single “NICE (Let It Roll)”, due for a future review. Add his commitments to the metal band SAUL, sensational solo efforts, and top-notch songwriting and production work, Clayborne can hold his head up high on a job well done.

* Photo by Zizi Friesen Photography 

Rumspringa – “Kings Of The Night”: Those who love heavy hitting rock from yesteryear will be enamored by these Central Ohio-based fellas. The quartet comprised of Matt Warren (vox), Cody Schrecengost (guitar), Jimmy Weaver (bass), and Jaxson Tackett (drums) have paid their dues in the local scene by constant gigging, leaving audiences fulfilled. All of that that goodwill has led to the creation of this butt kicker of a track that rock radio ought to take a shining to. “Kings of the Night” is just over four minutes of hard rock done right filled with gritty guitar play, explosive drumming, icing on the cake bass work, and inspiring vocal output. The marvelous melodies and roaring riffs bolster the song’s quality, giving listeners a headbanging single that puts the pedal to the metal. Schrecengost, Weaver, Warren, and Tackett deserve the utmost praise for the marvelousness in helping keep rip roaring rock n’ roll alive and well through their arduous work and determination. Rumspringa’s relentlessness to hone their craft and entertain has led to a lot of accolades such as being on bills with the likes of Saving Abel, Firehouse, Blacktop Mojo, among others. Twice, the band has reached the finals of rock station QFM 96’s House Band competition and have previously gotten play on the aforementioned station plus others. These guys are serious about their trade and their songs, including the previously released original “Off My Case” and their impassioned cover of “Rebel Yell”.

Jinx The Fox – “The Whole World”: Columbus’ fast rising synth indie rock group follows up on their prior 2022 release “Walking Through Walls” with a tantalizing track containing multiple elements to make it one to stream on repeat. JTF has created a song with a memorable sing-along chorus and that is one key to having a successful single. The song starts off sounding as though it will be a synthpop bop, but then seconds later the group takes it into an alternative rock direction with. The entire tune is chock full of attention-grabbing guitar and excellent drumming with some of the most passionate vocals heard in recent memory. From start to finish. “The Whole World” will captivate listeners as it is a prime example of rock music performed and recorded in a quality manner. JTF have themselves an emo rock tune that could cross over to Hot AC and Triple A formats, further expanding their popularity. The band has quickly climbed up the local scene’s street cred meter through live events and cranking out authentic and sincere alternative rock and the second half of the year could see the band broadening their horizons to performing live all around the state and beyond. Their latest single is definitely worthy of earning them a showcase or two for a record deal.

Spice Jar – “Trap House”: When it comes to fast rising Columbus musical acts, the tandem of Zack Elswick and Alonso Zavala are at the top of the heap. Every now and then over the past few years, the blokes will drop either a poppy bop or roaring rock rager. “Trap House” falls somewhere smack dab in the middle leaning towards pop punk goodness. No matter what, Elswick and Zavala are about giving it their all from bell to bell and listeners will most certainly agree after a handful of streams of with astonishing melodic guitar work, dynamite drum work, and solid rock vocals that go back and forth from distorted punk to screamo. The mix works well with the music to generate another top-notch song, which is all this duo knows how to make. In the three years they have been a band, Spice Jar has brought the spice to each and every release and they are sure to draw even more attention with their latest. The guys have assembled a band for live events where they are sure to keep the momentum up and get to the next level as they have earned it.  

Cotter – “Never Look Back”: Dropping their first single of the year, the Columbus hard rock quintet are back with a song that is part ballad and part rager showing just how terrific they are as songwriters in addition to performers. Cotter impresses here by having the ability to fusing what sounds like they should be two separate songs with seamlessness. “Never Look Back” has tight harmonies, ripping riffs, and is approximately three minutes of fine craftsmanship. Vocalist Howard Mesharer has the task of going from balladeer to roaring like a lion off and on and he pulls this feat off as only he can. Zack Lukkarila and Kyle Spears are on-point and both guitarists make the most of their opportunity to shine. Bassist Tim Waters brings his veteran efforts to the table and his involvement only serves to enhance the ambitious tune. Drummer Andrew Brzeczkowski keeps everything flowing smoothly by utilizing his durable skills to the max. The band is performing live a great deal, giving them a major opportunity to build their brand of rock and along with their current cut and the prior singles “All In My Mind” and “Keep Driving”, Cotter is making the most of this decade and are on their way to something great.

Wearebaby – “NPR Interview”: The self-proclaimed brat rock outfit reemerges with an eclectic and eccentric single about social exploitation. Sometimes it pays to come out of left field with and indie rock song that has a tad of an old-timey sound to it with modern day relevancy. It cannot be easy to make an upbeat, 1960s sounding tune against the backdrop of relationship toxicity, but credit to the Columbus based Wearebaby for their effort. The lyrics, especially within the chorus, will resonate with listeners who have experienced this type of mental anguish and those who know of someone who has dealt with it. The superb, dreamy lead vocals bring the sensitive subject matter to life intertwined with precise, airy guitar play, bombastic bass, and delicate drums. Towards the song’s second half, the back-and-forth female and male sounding vocals work well together to convey the song’s message to those who need to hear it. “NPR Interview” may light in presence, but contains a heavy story stupendously crafted that proves the band’s brilliance in songwriting and performing. Some of the group’s prior efforts, most notably “Amnesia” and “Control”, will provide listeners and idea of their prowess as musical poets.

Big Smile – “Can’t Even Drown”: Along comes this piece of excellence from the Cincinnati area emo alt-rock quartet with all the potential in the world to be a Top 40 rock chart hit. Things start off distorted with the music subdued and the vocals distorted, but then things quickly become raucous with power packed rock singing on display. The vocals are blended brilliantly with the machete sharp music, making this a sleeper of a single. Everyone is spot on in their roles as the melancholy lyrics are realistic and sung with high-level enthusiasm, all the while maintaining a touch of emo. Add rampaging guitar riffs with slick hooks fused with booming drum play and cucumber cool bass reinforce this as the most upbeat defeatist anthem in recent memory. Since it dropped approximately three weeks ago, “Can’t Even Drown” has garnered over 20,000 streams on Spotify alone which is quite impressive for this bombastic band on the rise. Big Smile has been well received thus far due to releases with hundreds of thousands of streams such as “Pillbox Hill” and “F*ck Off (But Take Me With You)” and many other respected rock tracks. These cats can add their latest to the collection of sensational songs that should take them far in their careers. They work hard, they play hard, and they tour hard. Anyone who gets within an earshot of their music will agree Big Smile has earned a chance to make the big time.

The Street Limes – “Bad Belushi”: The Cincinnati-based band’s latest single is three and a half minutes of indie alternative punk at its finest. The follow-up to last month’s release “Do Without!” is as formidable to its predecessor with glorious guitar play from start to finish, setting the song’s tone. The polished, yet sincere vocal output is beautifully set to the lyrics with marvelous harmony thanks in part to quality drum play, smack-dab bass, and the top-tier guitar work. The vivid verses and the contagious chorus paint a detailed picture and that goes to show The Street Limes are giving it their all in creativity and productivity. Those longing for the alternative and indie rock of yesteryear from the likes of The Promise Ring, The Get Up Kids, and similar artists have found a band that will carry the next generation of respected underground alt rock. “Bad Belushi” is a fine tune that is equally written, performed, and produced at an exceptional level, which is a nod to the quartet as they are now taking a DIY approach to keep things on their terms. They are very much on their way to something great with prior critical acclaim coming from outlets GRIT Daily, Music Industry Weekly, Music Luv HQ with more to follow in the future. Curious ears should sample the aforementioned “Do Without!” plus “See Tomorrow”, which is their highest streamed single on Spotify at this stage.

ROCK RUNDOWN FOR 6/27/22

Temple 95 – “Joy”: Out of Columbus, Ohio comes an atypical and dark hard rock band ready to take the scene by storm. Off their highly anticipated debut EP titled Immolatus Agnus, “Joy” is officially the final and lengthiest track and has a throwback classic rock vibe to it, balancing modern eeriness with a retro sounding sound. The guitar play is a combination of polished with a tad of grit, the drum work is spot on to keep the harmony in line, and the vocals are intentionally raw to give the song its throwback sound. Old school rock aficionados who love iconic acts Rush, Iron Butterfly, and ? and the Mysterians should dig it, whereas newer generations of rock n’ roll fans are going to respect it. They are going for something different from what is being recorded and performed right now and by releasing delightful and dynamic nuggets as found on the EP, things are going according to plan. Temple 95’s Instagram feed is controlled by a haunting and mysterious collective named the Ministry who provide creative, thought-provoking posts. The band is already planning to drop a new EP titled Psychopathy this fall. When it is all said and done, “Joy” ought to bring the brooding, grim-themed group a little joy.

Trey Pearson – “Lucky”: The wide-ranged Columbus pop artist’s latest single is excellent in building anticipation for his new album Somebody You Knew, due out July 1. Pearson puts on one of his most prolific performances with an eloquently constructed ballad that has brilliant beats in sync with his pristine vocals. He never sings something just for the sake of making a buck in that he is writing and recording serious songs of substance. Every time Pearson sings, it is from the heart and soul and “Lucky” reiterates this point as listeners will hear the emotions and be affected to some degree. Empaths will be moved by the chorus that is a celebration of love and triumph in a world of vitriol and tragedy. Pearson hits all the right notes on the song and the same can be said for his career. He is coming off an appearance on PBS’ True Colors special which featured the iconic folk duo Indigo Girls among other musical acts and hosted by Jeopardy! Champion Amy Scheider. Furthermore, Pearson performed as part of his hometown Columbus’ Pride Weekend festivities, which were projected to have had nearly 700,000 attendees. Progress in the industry has seen Adam Lambert, Troye Sivan, MUNA, Lil’ Nas X, Brandi Carlisle, and more let their music speak for itself and flourish. Pearson is ready to make the leap to stardom on his artistic merit and “Lucky” continues the glorious journey.

undergrads – “Ball”: The Columbus rock outfit’s follow-up to their raucous rager “Epicenter” does not disappoint from start to finish. “Ball” begins with marvelous melodic guitar play with excellent emo vocals coming in seconds later. A perfectly placed drumbeat comes in afterward and rampaging riffs mixed in. A cunning chorus takes this to soaring heights with believable lyrics worthy of empathy as many in the local scene relate to the corporate dayjob life as they pursue their ambitions. The song’s realism, the on-point musicianship, and sharp arrangements reinforce this song’s status as one that can earn them a record deal and take them to the next level. Rock lovers are going to have a ball playing “Ball” over and over, making sure it catches on. These lads have their most mainstream single to-date and with a little editing of the verbiage, this gem has top-of-the-line terrestrial radio hit written all over it. Until they are signed, it ought to be part of multiple playlists and on repeat for the foreseeable future.

*Photo by Annalisa Hartlaub

wyd – “WMN”: Every time this Columbus indiepop trio drop a track, it is going to be a comeback and what a comeback the band is experiencing with their latest work of genius. On Spotify alone, “WMN” is their third most streamed tune to date, but that will change and their soon to expand fanbase will be increasing the streams in no time. The group made up of lead vocalist/guitarist Carly Fratianne, drummer Courtney Hall, and synthesist/background vocalist Maddy Ciampa return with their first piece of recorded music since the 2019 EP SICK/DEATH/AFTER. The band’s newest single exudes tantalizing soulful goodness with each member giving their all to provide their vision of pop perfection. Hall’s precise percussion work is in absolute harmony with Fratianne and Ciampa’s sharp singing chops reiterating the song’s R&B radiance. Imagine Macy Gray, H.E.R., and MUNA collaborating and the result is this genre-crossing hit-to-be. “WMN” is on the official soundtrack to the critically acclaimed indie film Poser, in which both the album and movie showcase the eclectic local music scene. As the film and soundtrack gain praise, wyd will see a bump in popularity and if the right people get an earful of “WMN”, the song and the band will be on the cusp of greatness. Each of their releases are special as they take their time to create high-quality, purposeful music at their pace and alt-pop enthusiasts ought to take a major liking to this radio-ready gem full of style and substance.

Kikko Mai – “idk why”: The second ever single by the Columbus singer-songwriter is every bit as great its predecessor “pinky promise”, showing this astounding artist is way ahead of the curve. Her latest offering slows the pace down from her impressive pop punk debut, yet with no drop-off in quality detected. “idk why” is made of a brilliant blend of outstanding acoustic guitar, Mai’s sensational vocals, and a hitmaking pop beat. She provides evidence of an expansive vocal, performing, and songwriting range by presenting listeners with a top-notch Top 40 pop ballad faster in tempo than Avril Lavigne’s “I’m With You”, but just as musically effective. As Mai exploits audio-visual social media platforms such as Instagram and TikTok to get her name and music out there, it is only a matter of time before label execs get wind of one of the next generation’s surefire sensations. By scoring grand slams on her first two recordings and with live events in full swing, Mai should have no trouble procuring opening slot bookings to show the local scene she is set to be a major player for years to come.  

Rose Crest – “Effigy”: Pop punk with a kiss of emo is alive and kicking thanks to these lads from Dayton, Ohio and if they keep up this pace, the genre will survive for quite some time. The band goes all out on their newest tune with marvelous mixing by Huge Face Productions of each member’s part to create a short, yet sweet sounding rock single that scores high on the ear candy scale. Made up of gents Brandon Sorrell on lead vocals, Danny Council and Addyston Tucker Ray on guitars, Matt Atha behind the kit, and Jackson Medlock handling bass, “Effigy” is a bounce-off-the-walls banger that may give the band their break. The song’s infectious chorus, sizzling guitar riffs, fiery drum play, blazing bass, and sharp vocals display high-end sounding production value all thanks to Sandwich Jones. The team at Black Moon Recordings, who handled the mastering, deserve a ton of praise for the final draft that should carry the quintessential quintet into the year’s second half and beyond. “Effigy” is certainly a song with alt-rock awesomeness from start to finish that will help Rose Crest in growing their big sounding brand sooner versus later. This is not bad considering the group has only been dropping tunes since last year. If they bring the same kind of heat to concert sets that they did with this tune, Rose Crest will see the bookings and crowds increase for years to come. Credit and kudos go to James Robertson for the “Effigy” visualizer that will only help skyrocket the group to new heights.

TRUSS – “Reset My Head”: Best known for their remarkable debut single “Mayhem” with over a half-million Spotify streams, Cleveland’s premiere hard rock quartet is back with a butt kicker of a tune. It is an excellent premiere single that serves as the title track of their first full-length due to drop July 15. TRUSS’ newest gem is their first new recorded material since their cover of Soundgarden’s “Fell on Black Days” and they prove their original material is on par with major label bands’ best. From the jump, “Reset My Head” takes no prisoners with Guitarist Eric Kennedy providing rip-roaring riffs that continue throughout. Lead singer Hannah Crandall is the straw that stirs the drink and brings sizzle and passion with her vocal output. Drummer Holden Szalek delivers a powerful and impassioned effort behind the kit that mixes well with Kennedy’s guitar work. Delivering a unique blend of bass play is Thomas Rastatter and his craftiness fits the song like a glove. This song is an excellent example of the group’s durability and cohesion as songwriters and serves as amazing anticipation of the new record. If the remainder of the album is just as on-brand as the title track, TRUSS will not be unsigned much longer.

The Fifth House – “Charles Bukowski (But Not Because We Like Him)”: The Cleveland-based indie rock quartet’s musical arsenal is what Forrest Gump would call a box of chocolates. Their latest offering is styled quite differently from anything else they have released much to their fans’ fascination. The tune starts off as a heartfelt ballad with standout performances by lead vocalist/bassist Julia Crow and keyboardist/backing vocalist Caroline Hennebert. The first half will grab at listeners, but then after the two-minute work the band speeds things back up to their eccentric indie rock roots. After this point, guitarist Wesley Crow, and drummer Luke Kaylor really get to do their stuff and much like Julia and Hennebert, the fellas hold their own. The song’s arrangement and mashup of melodies is admired due to the challenges that come with creating and performing a song of this magnitude. Much respect should go to The Fifth House as it cannot be easy to pull off a hybrid of part ballad, part indie rock banger but their chemistry makes it flourish. The creativity alone should please their fanbase and gain them a bigger following along the way. Their uniqueness goes beyond the audio aspect as the band released a vid that is a throwback to the silent film era. Indiepop enthusiasts will get a kick out of “Charles Bukowski” as it demonstrates the band’s marvelous musicianship and is unlike anything else out there today.

Tornsey – “I Feel Fine”: Nashville singer-songwriter Tess Schoonhoven has release recorded music previously to much praise, however, this serves as a rebirth being the first single under her new moniker. After taking a personal journey she has been transparent about, Schoonhoven felt it was time for a change musically as well. The result is a ravishing rebranding that makes a significant splash. Co-written with Ty Combs, “I Feel Fine” is a pop bop about the process of getting beyond a breakup. The self-care anthem will resonate with listeners due to Tornsey’s realistic lyricism set to a late 1990s-esque pop styling. Although the subject matter is relatable to many, the song is atypical of what is being released right now which Tornsey should embrace with a badge of honor. “I Feel Fine” has poignant and melancholy undertones as a cocoon that becomes an uplifting butterfly of hope. This helps the outstanding re-debut stand out amongst the pack of other artists’ recent releases. Tornsey makes her point in short order as the song is under three minutes in length, but the happening harmonies and fabulous musicianship ensure the song is not short on quality. Schoonhoven’s identity musically and individually has found her having a pep like never before and the proof is in her latest masterpiece.

Back Alley Pep Rally – “Saturday Night Beaver”: Released in the early part of this month, the latest rager from the Dayton-based metal trio is one of wildest rides listeners will be taken on in recent memory. Comprised of Justin Rissmiller (vox/guitar), Dan Mehal (vox/bass), and Tony Garcia (drums), BAPR are short and to the point when it comes to the songs they play and their newest one is no different. Those who like their metal monstrous and fast will enjoy “Saturday Night Beaver” as it is a headbanger that will leave listeners with whiplash to the utmost extreme. Garcia’s drumming keeps up with the speed of Rismiller and Mehal, who are absolute beasts shredding their respective instruments. It sounds like an excellent tune to play during a horror flick’s action scenes and if the T&S recording artist keeps up songs like these, filmmakers will take notice. The razorblade riffs and overall precision on display will garner the blokes a great deal of respect for crafting the perfect song to unleash pent up energy in these days of unrest.

ROCK RUNDOWN FOR 7/19/21

From left to right, Andy Dunfee and Alec Cox.

Bubble Made Imagination – “I Stole an Aeroplane”: The act led by Columbus, Ohio musician Andy Dunfee returns with a change of tempo from prior releases. This time, the outfit goes the classic alternative ballad route and this alteration works to demonstrate Dunfee’s expansive array of talent as a songwriter and performer. On “I Stole an Aeroplane,” Dunfee is joined by vocalists Alec Cox and Cristina Crimaldi, percussionist Aaron Bishara, and trumpeter Tim Perdue with everyone hitting their parts to precision with a well-rounded tune as the result. The hybrid of old school alt-rock with a kick of the new generation has worked out for Bubble Made Imagination with their recorded works. If the band wishes to take the next step and perform their remarkable collection live in front of an audience, odds are Dunfee and company will pass with flying colors.  

Pink Salt – “One Hour”: On the Columbus indie rock quintet’s second ever single, the group shows they have the chops to hang with the Capital City’s established bands. Standout elements on the new tune are the nifty guitar play and the Bob Dylan-esque vocals that are a nice change from what other local bands are providing. Everybody in Pink Salt knows how important their role in making the band successful and what listeners get is top-notch quality. The members’ motivation and individual skillsets make for a superb sophomore effort that is sure to be a hoot for listeners digitally and live in-person. The group has taken their talents to the live stage to a positive response thus far. Pink Salt’s confidence must be through the roof with not only well-received gigs, but terrific output courtesy of “One Hour” and its equally awesome predecessor “Paradisium Rex.”

Saltlick – “go away”: On July 9, highly regarded emo rock singer-songwriter Brianna Snider dropped this track about her experience returning to her hometown of Pittsburgh from a successful time musically in Columbus. The approximately three-minute song has that trademark Saltlick catchiness to it with some indie rock danceability, but the lyrics depict an underwhelming experience sung by Snider in a melancholy way. She takes a deflating moment in her life and sets it to a happy tone to reinforce her own unique take on emo. This gives listeners something to grasp onto that has a happy tone, but is balanced out by demoralizing verbiage that leaves listeners having empathy for Snider in her home again moment. This approach has been successful for Saltlick at this point as writing, playing, and singing about pain is commonplace for musicians. Everyone is pulling for Snider in turning her situations into a form of healing.

Faded Element – “Echo”: The pandemic has been difficult on most people, but making the most of it is this Canadian alternative rock act led by Drew Budd with Nick Iden playing the instruments along with handling mixing and mastering. Unable to meet in person, the duo took advantage of modern technological advances and managed to release a high-quality rock tune reminiscent of the days when Vertical Horizon and Matchbox Twenty ruled the airwaves. Budd’s chops hold up to the likes of Matt Scannell, Rob Thomas, and many others and Iden’s musicianship throughout the single is just as top tier as the vocals. As a formidable follow-up to their 2019 album Off The Back Burner, “Echo” demonstrates despite all the adversity thrown their way, Faded Element can craft fantastic music in terms of writing, production, and performing. Will they ever get to record and perform in person again? Only time will tell, but these guys have a lot left in the tank and are ready to go when the opportunity arises.

Roxy Mae – “Slips Away”: The Central Ohio outfit has had lineup changes over its decade-long run, but the one constant is the talent that is vocalist/guitarist Matt Starr. Joining Starr in the group’s current incarnation are drummer Patrick Bailey and bassist/vocalist Joe Black. This time out, Roxy Mae goes against type by releasing a ballad that draws from heartache Starr experienced. His authentic vocals combined with the consistent acoustic guitar in the first third of the song will hook listeners to empathize. In the song’s latter two-thirds, electric guitar dominates the tune and accompanied with superb drum play makes “Slips Away” a strong rock ballad reminiscent of when metal acts like Extreme, Poison, and Firehouse had a standout slower tempo song up their sleeves. Everyone involved in the making of the single should be proud of its release as it pulls on heartstrings just as much as it shows top-flight musical prowess.

The Safest Ledge – “What Have You Done”: The Youngstown, Ohio band sought to reinvent their mindset and sound from prior releases while maintaining the same quality. Co-written by the band and Steve Perrino (who also produced and engineered), “What Have You Done” does not disappoint as the new single is alternative emo at its finest. Their latest masterpiece is a solid melancholy flight that takes listeners on an addictive emotional rollercoaster from beginning to end. Those who get an earshot of it will have it on repeat until they have had their fill of this ingenious single. TSL created a playlist of tunes that inspired the creation of “What Have You Done” with Deftones and Citizen having multiple entries, as that should give listeners a look into the band’s mind as far as influences go. This strongly produced and solidly executed concoction should have a home on alternative and mainstream rock radio, but it is a matter of getting the right ears to focus on something so dramatic and personals from the group’s psyche. Nevertheless, this banger will be well-received as TSL is back to performing live and that is who the band ultimately wants feedback from.

Tess – “Bed Of Lies”: Released just a few days ago, the Nashville alternative rocker drops a piano-driven tune that makes the most out of her talent as a musician and a vocalist. The single serves to promote the release of an upcoming EP that is sure to impress as Tess sings from the heart and proves she has a powerful voice much like other pianists such as Tori Amos, Jillette Johnson, Fiona Apple, Alicia Keys, to name a handful. The subject matter of “Bed Of Lies” is relatable as it deals with ambition and identity, things very important to people who desire a better life for themselves. Tess’ passion and dedication are on full display within the song. She also has passion and dedication for the Music City’s in-house scene as she has built a backyard stage named Beep Bop Box out of pallets from a local brewery with a friend helping to hang some lights. The result has been intimate shows featuring Nashville’s underground talent and writers’ think tanks to positive reviews. The venture has gained buzz outside of the city as touring acts are now inquiring into performing on the backyard stage. Things are looking up for Tess onstage and off, musically, and behind the scenes and listeners and the like will be curious to see what the new record brings along with the house shows.

Meagan Hickman – “Obsession”: The newest from the Nashville-based pop-soul crooner serves as a follow-up to the much appreciated jazzy single “Still Here.” This time around, Hickman delivers a fancy dance tune that oozes sultriness by way of booming beats and Hickman’s vibrant vocals. The song may be short compared to other dance tracks out there, but that just means it will be on repeat until listeners can dance no more. The accompanying video directed by Cholette shows Hickman being empowering and alluring simultaneously while performing seductive and slithering movements throughout. Co-written by Hickman, Thomas Pino, and Evan Cline (who also produced), “Obsession” has the musical workings from top to bottom to be a success on the Top 40 and the club charts. The mixing and mastering were handled by Matt Harris and Chris Gehringer, respectively, with the latter having worked on songs by heavy hitters Dua Lipa, Halsey, and Selena Gomez. That kind of pedigree behind the scenes along with the skillset multi-instrumentalist Hickman brings to the table makes for a sizzling summer single sure to heat up earbuds and stereos everywhere.

WIESE – “Hear Me”: The latest from the suave Norwegian DJ/songwriter/producer dropped five weeks ago and has already amassed 150,000 streams on Spotify alone. The tune is a hybrid of house music and pop that is a perfect bop for the sweltering summer party scene. Joined by vocalists Erin Jarvis and Callen, “Hear Me” is considered an excellent song to emerge from the mandates and lockdowns from as the song is about busting out from the cocoons and getting back to a life of normal. With the beautiful beats combined with Jarvis and Callen’s vibrant and polarizing vocals, “Hear Me” is the lit anthem that some people need to hear as motivation to get back to the clubs, beaches, and house parties (post-vaccination, of course). The song is short and sweet clocking in at less than two and a half minutes, but what a booming tune it is. The official video will have people jumping and bumping as well as it tells a remarkable story of going from a ghost town to business as usual. People looking for good times will play this repeatedly, which might be the contributing factor to it catching on in such a brief time. The sky is the limit for WIESE as with over 15 million Spotify streams to date, he is on his way to joining popular DJs such as David Guetta, Calvin Harris, among others to stardom.

ROCK RUNDOWN FOR 6/28/21

Pink Salt – “Paradisum Rex”: The debut single by the Columbus, Ohio based indie rock outfit is an outlandish, jamming gem from start to finish. The band shows a great deal of creativity to concoct a multigenre tune to start their reputations off with a bang. Pink Salt’s premiere song has elements of funk, rock, and pop rolled into tasty musical burrito that listeners will savor until the final note. More indie rock delight is to come, as the group plans to drop the record Not to be Rude in the coming months. Members Nicole Orsini, Nick Partridge, Greg “Geg” Price, Nico Linik, and Kieran York can raise their heads high knowing they have put together an auspicious and remarkable tune in “Paradisum Rex”. If the debut album is anything close to their premiere song, they will have a bright future in the local scene for a long time to come.

*Photo by Harry Acosta Photography

Courtney From Work – “Caught Wasted”: The Columbus barbecue rock fellas return with a prolific single that promotes their upcoming album Yarb Hundy, due out on July 16 with a live celebration show set to occur the night after. CFW gives off major Weezer vibes on the new tune (think of Rivers Cuomo and company’s mainstream hit “Beverly Hills”). “Caught Wasted” makes tremendous utilization of CFW’s sense of humor and life perspective and will be among listeners’ favorite tunes on the new record and at concerts. For those familiar with their work and their live performances, the band takes their music making and their concert efforts seriously, but they do not necessarily take themselves too seriously. They know when and how to have fun and when and how to turn it on and be pros. Case in point, the band have a light-hearted video that shows the band rocking out, but still shows creativity and a little comedy. Signed to Long Nail Records, the quartet of Jacob Fournier, Colin Cavanaugh, Andrew Davis, and Conner Hannah have crafted an excellent alternative rock song that is the perfect start to the summer and deserves to be played on repeat whenever and wherever possible.

Spirit Of The Bear – “I Can’t Breathe (Redux)”: In existence for seven years, the Ohio indie pop wonders have released regionally acclaimed bops and bangers left and right. With their latest single, the good fortunes continue with one of the group’s most mainstream Top 40 efforts yet. As one can tell from the song’s title, this is a reimagination of one of the band’s prior releases, which originally was part of the record Remains that dropped five years back. The 2021 version is an enhancement of an already awesome tune with vibrant vocals, dynamic drumming, energetic electronic beats, and proper guitar placement to give it an equal amount of sizzle to the hearty musical steak. What has kept SOTB fresh is their knack for diversifying their portfolio and doing so at a prominent level. “I Can’t Breathe (Redux)” is every bit as good as some of their fans’ faves “Run My Mouth”, “Why Can’t We Talk About It?”, “Summer Snow”, among others. The lads can deliver a variety of should-be radio hits and their latest reiterates that the fellas are ready for the next level to take their act nationally and beyond.

Adoremus – “Do You Love Me? (Regressing)”: Alternative rock awesomeness that has legs to peak high on the charts is what describes the latest song by the Toledo trio. Comprised of Tre Kane, Daniel Sitler, and Ben Vasko, these gentlemen pour their hearts and souls into this single with each individual’s part coming together to make for a four-minute inspirational and emotional journey that flat out rocks. Adoremus recently released a video for the powerful track which shows a man constantly escaping masked, shady individuals intending harm upon the protagonist. The vid also shows Vasko, Sitler, and Kane performing their musical parts with passion and seriousness. The song’s lyrics show how transparent the three are with the importance of their faith in their lives with respect and tact. The song speaks to a disconnect between one’s relationship with a higher power and seems relatable no matter what a person’s denomination may happen to be. “Do You Love Me (Regressing)” gets its message across in a respectful manner that still enables listeners to draw their own conclusions as to where their respective relationships stand.

*Photo by Austin Spruill

Through The Tallwoods – “Rat Race”: Earlier this month, the Raleigh emo punk three-piece dropped this raucous and ambitious single and it is an excellent follow-up to last year’s release titled “Girl”. The song rapidly accelerates into fiery punk rock fare and the band is in full control of the ravaging ride until the very end. Through The Tallwoods and “Rat Race” click on all cylinders with gritty guitar work, rampaging drums, and vicious vocals making for a smash, figuratively and literally. The song is well-written, well-performed, and magnificently produced without compromising the group’s punk rock principles and roots. To quote an Olympic Gold Medalist, “Rat Race” possesses the intensity, integrity, and intelligence people look for in DIY musicians. The band has put out their best work yet and this one will be a headbanging and moshing favorite among fans when the trio performs it live.

From left, Colby Hansen and Aibai

Aibai x Colby Hansen – “Still Running”: The Minneapolis-based producer has collaborated with fellow Minneapolis resident and multi-instrumentalist Colby Hansen multiple times including on recently premiered gems like “Aura” and “All Night”. Their latest foray continues the streak of superb singles by the team. The arrangement is on-point with marvelous harmonies accompanied by Hansen’s soothing and ready for prime-time vocals. “Still Running” has potential to be a dance club sleeper due to its calming and seductive nature. Aibai and Hansen’s friendship adds to the authenticity the tandem has oozed in their recent collabs. Aibai has proven that she is right up there with other breakthrough producers such as Calvin Harris, David Guetta, to name a couple. Hansen has the vocal skillset similar to vivacious singers Natalie Horler of Cascada, Foxes, KT Tunstall, among others. Both as individuals are amazing talents, but as a duo that much-deserved major record deal might be right around the corner and these masterpieces will make a serious impact in the mainstream.

IAMREBELWILL – “Addicted”: The current tune slated to be part of RebelFuturism lives up to its name as it will hook listeners with the Canadian performer’s vocals, brilliant beats, and relatable subject matter. The song deals with the fallout of being consumed by feelings for someone and is set to bombastic beats and harmonies for days. “Addicted” is anthem worthy for hopeless romantics regardless of who they may love, but IAMREBELWILL feels it is important to create sincere songs with substance for marginalized and/or underrepresented groups whose stories are not always heard. The Montreal-born and Toronto-based artist’s newest tune is every bit as vivid as his personality and by creating a song that expresses his personality turned all the way up, he is going to be on cloud nine for a long time. IAMREBELWILL has demonstrated the songwriting and singing chops to go far beyond his wildest dreams and the music world better watch out as he is ready to bring his blend of R&B, pop, and electronica to the masses.

Breagh Isabel – “Girlfriends”: Newly signed to Warner Music Canada, Isabel’s newest release might be only two and a half minutes in length, but its impact on the people it affects will be felt for ages. It tells the tune of a budding romance that was alluded to, but ultimately was a missed opportunity. In the accompanying video directed by Tamara Black, actors Cassidy Foley and Carolyn Yu bring emotion, sincerity and respect to Isabel’s song which can only help youths and adults who have had similar experiences or who are currently going through this kind of heartache. “Girlfriends” can also be beneficial for people in processing who they really are. The lyrics are heartfelt, the music itself is appropriate for the theme without being too somber, and the execution leads to a song that will do people a lot of good in finding themselves. No stranger to top-notch songwriting for other artists and with works utilized in programs Grey’s Anatomy and Batwoman, Isabel has quite a future as a performer in her own right.

TONYB. – “Doubt Me”: With outlets Earmilk, Live Nation’s Ones to Watch, and Spotify Fresh Finds playlists already paying attention, the Nashville artist has been sitting on this empowering tune for a while. He now believes this is the right time to drop it and it was worth the wait. “Doubt Me” is about being driven and determined to the point that nothing gets in the way. The song calls out haters and skeptics trying to get in his head, but undeterred the protagonist marches on with the confidence that brought him prominence. Inspired by R&B giants Usher, D’Angelo, and the late Aaliyah, TONYB. is most certainly on the right trajectory to carve out a career on his own merit. “Doubt Me” brings alive his noble songwriting and world class vocals as the track’s arrangement is on point throughout, making for just under three minutes of a fabulous tale of overcoming adversity. He believes his message of not giving up and being one’s real self can do people with the deck stacked against them by society a great deal of good. The talent is there, the message is there, and with the way the scales have tipped over the years TONYB. is on his way to being a bonafide star with a good heart and a good head on his shoulders to boot.

ROCK RUNDOWN FOR 3/29/21

RAGS AND RICHES x Cody Morgan – “CROSSFIRE”: This collab sees the Lexington, Kentucky duo of the Whitt brothers (Tanner and Peyton) joining forces with Cody Morgan with a song that varies from prior releases. The new single is reminiscent of X Ambassadors and is polished and performed well enough to be a success. The song maintains enough pop flavor to enables it to cross over from alternative to mainstream pop stations. A week and a half ago, the fellas released a wild west themed video for “CROSSFIRE” that ends in a cliffhanger. It is such an elaborate and well-shot vid that shows bands do not need big budgets to produce high-quality content. Combine this cinematic short film with radio-ready audio and help from indie rock space cowboy Morgan and “CROSSFIRE” clicks on all cylinders stylistically and musically.’

Kristin Gramza – “Watch Me Go”: This alt-country ditty could become the next anthem about empowerment and independence. “Watch Me Go” is about knowing one’s worth and not being disrespected and much like any song Gramza has dropped, it is performed with passion, emotion, and honesty. The Columbus singer-songwriter has created a gem that will be relatable to people who have dealt with obnoxious suitors. The tune is well-crafted with fine musicianship from Gramza and company and Gramza’s vocals go vroom throughout. Joining her with a hand in bringing the song to life are Megan Rainey, Efrum Imler, Will Ash, Eric Clemens, Harold LaRue, and the recording studio Oranjudio. Everyone involved in the song ought to be proud of their input as the proof is in the pudding and this song sounds like a winner. Once live shows happen in droves, the song will certainly have people dancing and cheering in honky tonks and dives across Central Ohio.

Big Smile – “F*** Off (But Take Me with You)”: The Southwest Ohio area alternative rock outfit returns with yet another banger sure to resonate with genre lovers. The song features marvelous melodies leading to happening harmonies that is a winning formula. The chorus is simple to follow, proving less is more. The group is hitting its stride with these most recent releases as they along with their fans anticipate meeting each other again at neighborhood venues. The vocals are pop-punk goodness and match the musical output note for note. The lads are doing their label Anchor Eighty-Four Records proud with 100 percent effort each single dropped. Alt rock aficionados will find it in their best interest to revisit (or discover for the first time) tunes such as “Pop Song About Drama” and “Bible Belt”. As modest as they are about their success and adulation, Big Smile is an artist on the rise and that is no B.S..

Bubble Made Imagination – “Forgotten Faces (Outside)”: What started out as a solo project headed up by Columbus multi-instrumentalist Andy Dunfee has grown into a team to look out for this year and beyond. On the latest BMI release, Alec Cox handles vocals and Aaron Bishara of The Wet Darlings fame is behind the kit. Mastered by Brad Smalling of Evergroove Studio, the new single can only be compared to bands who are unique themselves musically. Dunfee set out for Bubble Made Imagination to be its own thing, but somewhere in the madness there are bits and pieces of Modest Mouse and Talking Heads. “Forgotten Faces (Outside)” is a trippy, nostalgic art rock masterpiece and there is nothing else like it on the airwaves. It is about time that Bubble Made Imagination take the terrestrial and Internet radio stations by storm with a little alt rock awesomeness. Those seeking a bigger dose of what the guys have cooked up should take a listen to tracks from last year’s LP Thomas Henry Huxley such as “Just Figure It Out”. “Fight or Flight”, among others.

Photo by J. Bartholomew Photography

Madeline Finn – “Ohio”: Released on March 26, this new single by the Cleveland-born singer-songwriter is sung with sincerity and vulnerability that will strike a chord with listeners. Those most impacted by the song are going to be those who currently live in the Buckeye state or grew up there. On the other hand, anyone with fondness for a place they used to spend their formative years should be able to relate to “Ohio”. It will make people long for a simpler time in their lives where they could be full of joy without a care in the world. Finn’s trip down memory lane has charm and authenticity without frills as it is pretty much one woman and her guitar. Now residing in Nashville, Finn bares her soul and it makes for a remarkable story and an even greater song. People looking for more emotionally charged tuneage from Finn ought to give two contrasting tunes “Timing Is Everything” and “Whippoorwill” some streams.

Island Parkway – “Never Have Loved”: Columbus singer-songwriter Pat Miller is back with his fourth release this year that reinforces his expansive musical stylings. On his latest cut, Island Parkway slows it down with a bluesy ballad that based on the lyrics seems written from the heart and is performed with sincerity and passion. One must imagine themselves in a smoky bar with Miller sitting on stage with his guitar and a mic to get the full effect. That is exactly what listening to “Never Have Loved” looks like. Island Parkway reinvents himself on each single dropped as they all sound different from each other, providing proof he is a well-rounded songwriter and performer. His latest is the longest tune to date at nearly six minutes, but what a splendid time it is. After a couple of streams, even folks who are not genre enthusiasts will appreciate Miller and his brilliance and talent.

Photo by Nicole Leonardo

Champagne Atlantis – “I Wanna Be Your Hair”: This is the latest tune by the musical act founded by Tri-State area artist Jesse Barki, who believes in DIY and has himself a very polished gem on his hands. A principal songwriter for indie rock project The Mellowells, his newest creation under Champagne Atlantis draws from dreampop and bedroom pop with some old school R&B sprinkled in. It makes for an adventure that will have the listener on cloud nine as Barki makes use of weaving guitar play with drum machinery and some sampling mixed in. The indie pop delight should make a fabulous add to many alternative stations’ playlists given its Flaming Lips-eqsue psychedelic presentation. Everything about “I Wanna Be Your Hair” is top-notch showing that less is more. Barki has a fraction of the budget and resources that major label artists have and this is song is just as good as what is heard on corporate radio stations and the Top 40 format. He handled all the writing, producing, and mixing himself in the state of New York. That plus this brilliantly performed single ought to impress the right people to land him one of those lucrative label contracts.

Green Paradise: “Start of Something New” / “Zaffa Taking Form”: Happy Family drummer Sandro Zambrano-Villa goes out on his own and simultaneously self-releases two smacking singles on Bandcamp. Both tunes will be part of his upcoming full-length due out on April 20 and the contrast in the two demonstrates Sandro’s diverse musical palette and talent. On “Start of Something New”, there is definitely some Hendrix influence on the instrumental that rocks from the opening second to the last. Zambrano-Villa will have listeners on a musical locomotive for over three minutes and after the ride, people will long for more. The second single “Zaffa Taking Form” is a mosh-worthy anthem that will have listeners in a fit of rage for most of the song. By going from the psychedelic 60s rock on the first single to 70s punk on the second, Sandro shows his influences and that he has a knack for creativity that comes out of left field. The Columbus resident subscribes to the DIY method as he was responsible for the songwriting, the recording, and mixing of the singles and the upcoming album. Based on what has been released thus far, Green Paradise is more than a side project as this music has legs in a time of cookie-cutters in the industry along with the pent-up anger and frustration from multiple events this past year. Zambrano-Villa is going to have the local music audience wanting to see him play these live and perhaps that will happen sooner rather than later.

Coral Palms – “Echoes”: Already well-received by outlets like Earmilk, Amazing Radio, and others, the London indie pop quartet have themselves a bop that could be a smash worldwide. On their debut song, the bouncy vocals plus the ravishing guitar and drum work make “Echoes” one that should be a Top 40 entry on the pop charts on both sides of the Atlantic and beyond. The group cites Two Door Cinema Club as an influence and fans of TDCC will enjoy the stylings of Coral Palms. With spring in full swing, this song dropped at the perfect time to get people in the mood to bob their heads while out in the sun. Ten days ago, Coral Palms premiered a video for the single and it is as vivid and vibrant as the audio, serving as evidence the sky is the limit for these blokes. Bands based stateside similar to Coral Palms include Rock Rundown mainstays Spice Jar and Goldpark, both who are magnificent indie pop artists with bright futures.

COLUMBUS GROUP BRINGS THEIR BIG BAND SOUND AND ALL THAT JAZZ ON NEW ALBUM

Artist: Largemouth Brass Band

Title: Repilot

Format: LP

Release Year: 2021

Founded in college town Athens, Ohio, the eight-piece instrumental big band jazz outfit migrated to another college town of Columbus where the band has entertained diverse audiences at local dives and major festivals in the city. Due to the global health crisis, LMBB unfortunately could not grace stages but they took the time to work on and drop a dynamic full-length record that will energize listeners all day and night. Repilot is a diverse sounding instrumental LP that respects music’s origins and combines Old School with Gen Z as the group pays homage to the genre while maintaining a modern swagger.

After hearing this album, it is possible some people might compare the band to Earth, Wind, & Fire. Although the record is sans vocals and is not as funky as the music the R&B legends have made, LMBB holds their own regarding musicianship. It is evident the group has excellent musical skills as each part is on-point and the album’s production sounds crisp. Each performer plays at a high level, which puts the future of local music in good hands. Several members are involved in the industry either having their own studios or serving as instructors to the next generation.

Although LMBB does not have an off note anywhere, some of the record’s songs stand out more for their specific tempo and tone. “Night Lightning” is reminiscent of a detective TV show and might lead to ‘Barney Miller’ flashbacks for some listeners. “Squid Kick” sounds like a solid pep rally and tailgate anthem to get people hyped before a game. “Duped” comes off as a super cool 1970s renegade cop TV show or movie theme. “Rum & Cider” is a ditty that will take listeners back to their school dance days and get them shaking and toe-tapping wherever they may be listening. These are just some of the well-crafted gems the group has presented, but surely listeners will find others that resonate with them. Other songs from Repilot that jazz lovers will enjoy include “whypplclppn?”, “Tarantula”, and “We’re Guessin’ (You Wanna Party)”.

Overall, Repilot is a 40-minute throwback adventure that will invoke memories and help people escape the world’s ills, even if just temporarily. Each song is family-friendly and every household is going to have somebody with their own favorite track. Everyone involved on the music side and behind the scenes should be proud of their efforts as the LP is just plain awesome. A local bill with the Largemouth Brass Band and a similar respected band Thomas and the Work-Men is not that far-fetched with concerts likely in full swing by the start of 2022. Until then, the record is top quality to tide people over before they see this talented bunch on a festival stage or watering hole near them.

ROCK RUNDOWN FOR 3/8/21

Trey Pearson – “Don’t Dance 2.1”: The Columbus, Ohio-based pop singer is a local music icon who returns with this bombastic bop that is absolutely Top 10 worthy. The song serves as a callout to haters and hypocrites and is dedicated to those trying to come to terms with themselves in a world of divisiveness and disdain. Pearson is an out and proud artist who hopes his journey and marvelous music serve as solace to those who are blazing a similar path. The single contains spot-on vocals, delightful beats, and an amazing arrangement that make it a danceable anthem. The former Everyday Sunday vocalist has found himself and his musical groove and there is no turning back with no apologies made. If “Don’t Dance 2.1” turns some haters into supporters and/or helps people along their own journeys of self-discovery, then the song is automatically a hit. Those who enjoy the styling of the late George Michael’s “Fastlove” will fancy this tune and have it on repeat for a hot minute or two.

My Dark Reality – “Things You Should Know”: Signed to Bentley Records last summer, the Ohio hard rock outfit is back with a bang. This thrashing hard rock tune has crisp guitar play, dynamic drums, brilliant bass work, and sharp vocals from Nerak Roth Patterson, Sr.. The rock climate is in good hands with this band as it seems that they are picking up where they left off with their 2020 singles “Soulless” and “Ashes to Ashes”. Those who like their rock n’ roll straightforward and pedal-to-the-metal are going to love MDR and everything they have released thus far. Once live shows are thing widespread again, this band will be able to do what they best and entertain on a stage like only they can.

Bloodthirsty Virgins – “Burn After Reading”: The Columbus band led by vocalist/guitarist Nikki Wonder consider themselves to be ‘Spaghetti-Western/Vampire Dramatic Rock’. This song is foot-on-the-throat, take no prisoners, rock n’ roll and the formula is fantastic. On this latest offering, the single has Wonder’s vivacious vocals accompanied by strong guitars, brilliant bass, and dynamic drum work. The song has already been broken in at respected rock station CD 92.9 FM and the band has a contract with Scioto Records, helping bolster its potential outreach. This head-bobbing single is worth all the streams and spins it gets and fingers crossed that Bloodthirsty Virgins garner a lot of play off this well-crafted track. People who are impressed by “Burn After Reading” will likely enjoy some tunes from the band’s self-titled album such as “The Want of You” and “The Skin”.’

Sierra Blax – “INYIM”: A collaboration with Tim Rose, this fiery R&B/pop single has all the makings of a breakthrough hit if heard by the right people in the industry. An up-tempo love song directed to an ex, the song’s protagonist takes ownership on things not working out with the line “It’s not you, it’s me.” Blax seeks to be herself and do her thing which she does very well with confident singing combined with catchy, soulful beats in the background. That noted, this jam will remind people of the sultry stylings of Joss Stone, who did well for herself in the business. The L.A.-based singer-songwriter is building her audience organically and the talent and merit are there for Blax to go nowhere but up as evident on her previous singles “Loose Cannon”. “Good Type of Love” and “Just for Now”.

Lalalow – “Sensory Deprivation”: This Finnish duo of vocalist/keyboardist Nina Jackson and guitarist/bassist Tommi Laivamaa is ready to take the world by storm. Their latest single is electropop goodness with on-point vocals and cunning synthesizer work. Per an interview given by Jackson, the song is about the loneliness stemming from the year-long pandemic and the challenges to communicate and decipher reality. The song’s construction from start to finish will mesmerize listeners and hook them in, moving bodies and souls simultaneously. “Sensory Deprivation” has legs to make a dent on the Hot AC chart as it is catchy, charming, and attractive. Those looking for more mind-bending pop tunes from Jackson and Laivamaa can look no further than last year’s single “Quiet Lately” and their self-titled EP.  

Laveer – “Real Thing (Chilled)”: This Columbus synthpop quartet has a harmonic new single that shows some true talent from the lads. This version is a dynamite ballad that oozes tight vocals and marvelous melodies. There is absolutely no reason either version of “Real Thing” (the original being upbeat electropop) cannot heat up the Top 40 chart. Laveer demonstrates a knack for beautiful songwriting and execution that should lead to a fabulous career locally and beyond for several years. Whether “chilled” or regular, “Real Thing” lives up to its title and it is only a matter of time before the lads are heating up stages with fellow local studs such as The Raquels, Something Else, Spirit Of The Bear, among others.

Johnny Ashby – “Getting Started”: Born in England, but living in L.A. the folky singer-songwriter is ready to unleash his brand of indie jams on the universe. His current single possesses superb singing and polished guitar play that should find itself well on alternative and AC stations. Throughout the tune, Ashby displays haunting vocals that have an excellent cadence against the gentle guitar play. This indie folk delight is going to resonate with a lot of people and Ashby himself has gained some traction over the years. Previous releases have seen airplay stateside and across the pond with songs gaining placement on shows ‘Grey’s Anatomy’, ‘Pretty Little Liars’, to name a couple.

Aibai – “Glow”: From Minneapolis comes this prodigal producer’s single created in conjunction with Swims. The single is two and a half minutes of well-crafted electropop that ought to help Aibai garner a following. The vocals are perfect for the music and based on this song alone, Aibai should be in high demand as someone artists will want to work with in the future. She makes electronic music that has potential to branch out beyond the raves and her current release is a successful attempt to broaden her horizons by tweaking the formula a tad. Every bit as good as Calvin Harris and Darude, Aibai’s talent is proven on her 2020 series of singles “Imagery”, “Enough”, and “Insomnia”.

Photo by Elise Hisdal

Yndling – “Childish Fear”: Also known as Silje Espevvik, the Norwegian singer-songwriter makes her remarkable debut with a dream pop bop. The tune makes excellent use of bass, drums, synthesizer, and floaty vocals to create a musical cloud that will carry Yndling extremely far. The mid-tempo track is slickly produced by Einestor Sandberg and it clicks on all cylinders. The song will send a tingle down listeners’ spines as it entails a psychological hindrance towards expressing love. The story alone will resonate with people who struggle with stagnation in relationships and the harsh reality of being at a crossroads. The lyrics and oral output are from the heart and that makes the personal tale Yndling is telling even more authentic and special. It is only a matter of time before more outlets take notice of the tools and talent Yndling has as she has already been praised by the likes of 1883 Magazine and Earmilk.

ROCK RUNDOWN FOR 2/22/21

The Katawicks – “Dark Cloud”: The indie-soul tandem of Allison Justice and Matt Washburn return with a single reminiscent of the 90s singer-songwriter stylings of Lisa Loeb, Sarah McLachlan, Chantal Kreviazuk, among others. The tune is about doing one’s best to overcome setbacks, a.k.a. the dark clouds in life. Justice’s vocals are super on this track and this uplifter has a serious chance to find an audience at terrestrial and online AC radio stations. Justice and Mashburn are joined on the music side by Brian Hoeflich (drums) and Anthony Powers (bass, piano), providing fantastic support. Behind the scenes, the song’s engineering and mixing were handled by Patrick Himes of Reel Love Recording Company and mastering was done Alex McCollough of True East. Everyone involved should be proud of their contribution as each musical role is played to the utmost extreme as their combined efforts make “Dark Cloud” enlightening and entertaining.

The Raquels – “Oh! There is Love”: Columbus, Ohio’s premiere new wave indiepop outfit returns with a single that’s a change of pace from their trademark sound. This old-timey throwback is their follow-up to last year’s pop bop “Lower East Side”. The song is comprised mostly of the piano with Sinatra-esque vocals with some synthesized sound effects sprinkled in, reinforcing the departure from the band’s usual up-tempo fare. Thumbs up to the quartet of Derrick Walter, Gabe Ritz. Dave Butler, and Tyler Birch are making the music they feel is right to make. The band has dropped a very thought and emotion-provoking ballad for these times of uncertainty and divisiveness. This is the kind of tune that will lead to a lot of slow dances once the band can perform live in front of fans. The Raquels’ recordings are great, but their sensational concert sets demonstrate the lads never fail to entertain.

Snailmate – “Donuts in the Rain”: Formed in 2015, the Phoenix DIY duo are unlike any other artist in recent memory and that is the way Kalen Lander (vocals, synth) and Bentley Monet (drums, vocals) like it. As part of their upcoming album Stress Sandwich, “Donuts in the Rain” makes terrific use of the synthesizer and drums the lads are known for, leading to a wild roller coaster ride for nearly three minutes. Lander and Monet pride themselves on being a hard-working act and it shows in this innovative and creative ditty. The guys cross genres with drops of punk, hip-hop, electronica, and rock to make for an adventure people will remember. These fellas have literally been a lot of places such as Japan, Brazil, and Canada plus SXSW and various state fairs in the U.S.. These guys are bent on making an impact in live music music scene once again when it is appropriate to do so. “Donuts in the Rain” and prior releases such as “Hot Sauce for Blood” and “I Know What You Want” are proof listeners are in for the ride of their lives.

Outsider Heart – “Anyone But You”: The Columbus alternative rock trio re-emerges with a brilliant banger that just might surpass their most streamed song to date (the brilliant “Leper’s Bell”). The tune has the legs to be popular on terrestrial and Internet radio stations with terrific arrangement and marvelous melodies that make it a serious head-bobber. The track’s vibrant vocals, dynamic drumming, bombastic bass, and slick guitar work that proves it is a well-produced and well-performed track. Members Doug Katula, Kovy Arseneau, and Jonah Young are kicking 2021 off with vigor and rock connoisseurs desiring more from these blokes should give the aforementioned “Leper’s Bell” a try along with “Like The Rest”. Once live music is feasible again, do not be surprised to see Outsider Heart share a bill with equally as spectacular local acts such as Something Else, Mouth Movements, Hello Luna, and others.

Leechwife – “Burrowing Filth”: Columbus resident Lilith Grace returns with a single written and performed on her terms and conditions, making for unlimited creativity. Per her Spotify bio, Leechwife’s genre is described as “microtonal, electro-sludge, trans-dimensional post-punk. Grace believes in the DIY approach as she is the sole songwriter along with going her own recording and mixing. Leechwife likes being unique and every song that has been released brings something different to the forefront. “Burrowing Filth” is a nearly six-minute blood curdling audio horror film that keeps listeners engaged as to what will happen next. The guitar and vocals are raw as they can get, with the production quality still being up to par. Leechwife is emerging as a true alternative artist in the local scene and the continuation of releasing well-produced and thought-provoking music out of left field will carve her a niche for years to come.

Goldpark – “Beautiful Desperation”: The Nashville-based pop-rock three-piece returns with a bop reminiscent of Mr. Mister and the Killers. Signed to Hazel Street Records and Orchard Enterprises, the fellas now have the backing to crack the Top 40 of various charts. They give off 80s nostalgia in an admirable and respectable manner, while staying in touch with current musical climate. The singing is heartfelt and each member performs their instruments to precision, which makes for a bombastic alt rock masterpiece. “Beautiful Desperation” has an accompanying video that shows the guys rocking out at an empty dive bar, but once the all-clear is given Goldpark will be playing this song and its predecessor “Morning Light” in front of packed crowds. The word is spreading and by the end of the year, at least one of their songs should absolutely hit the mainstream one way or another.

Photo by Shelby Parks

Mothica – “forever fifteen”: Born McKenzie Ellis in suburban Oklahoma, the L.A.-based singer-songwriter recently dropped this tune regarding the anniversary of a near-tragedy. Fortunately, the talented lass is here today living her quarterlife and able to share her experience with people in similar situations as they empathize with each other. There is a lyric video for the original version that has Mothica putting together a collage of supporters who mailed their likeness and provided words of support. There is also a stripped-down version and both will absolutely pull at listeners’ heartstrings. Anyone accessing this song will have certainly their thoughts and emotions challenged. The song was co-written by Mothica along with Eva Honey, Alexandria Veltri, and Lenii and this team should be proud of getting this important message and form of self-healing out there. Mothica is known for writing emotionally driven songs to electronic beats and those interested in more of her arsenal should give “VICES”, “Overthinking”, and others a stream or two.

DD WALKER – “Only Two at the Start”: New York City multi-instrumentalist presents a soulful pop gem that should earn him a great deal of praise. Walker’s vulnerable vocals are reminiscent of Temper Trap singer Dougy Mandagi and make the song stand out. The tune starts out with soothing guitar play and then Walker’s voice takes over making the slow jam one that should get play on alternative and R&B stations nationwide. “Only Two at the Start” has some fine drumming throughout with a pinch of synthesizers for flavor. This shows Walker’s broad range, which will help build his audience. Those curious of what else he brings to the table should most definitely check out his best-known song at this point: The surf-themed pop bop “Malibu” which should have been a Top 10 hit on Billboard and Ryan Seacrest’s ‘American Top 40’.  

Van Isaacson – “Georgia”: Now living in Nashville, the Wisconsin born and bred singer-songwriter is back with a powerful predominately piano-laden ballad. Isaacson takes his craft seriously as evident with this tune from the heart and soul. The music world has its new Bruce Hornsby as the song is every bit as good as the legendary adult contemporary star has released. “Georgia” is arranged well and the lyrics have purpose, attributed to Isaacson’s sincere singing. The song’s solid musicianship and the superb vocals should earn Isaacson offers to license his music in high-quality films, which will help continuously build his resume. The talent is there and now it is time for the breakthrough to get the marvelously made music out there.

ROCK RUNDOWN FOR 2/1/21

Photo by Bianca Olivo

TRVSS – “Fell On Black Days: The Ohio alternative rock quartet kicks off 2021 paying homage and respect to Soundgarden and the late, great Chris Cornell. The outfit consisting of Hannah Crandall (vocals), Eric Kennedy (guitar), Holden Szalek (drums), and Thomas Rastatter (bass) do the song justice with an inspired and polished cover that TRVSS makes sound like their own fresh take on the 90s rock smash. Crandall, Rastatter, Kennedy, and Szalek (the latter two mixed the tune) are solid in their roles and collectively their version will draw them praise for years to come. The group has recorded a wicked cover of Billy Idol’s “Rebel Yell” that is well received at concerts. Visiting the band’s Spotify page, people will notice the unique artwork accompanying the song created by designer and fellow Ohio musician Kallan Imhoff (vocalist/guitarist, The Manatee Room). Splitting time between Cleveland and Columbus, the band has been making a name for themselves throughout the Buckeye state for a few years. To discover the talent this fiery foursome has unleashed, rock fans should give TRVSS some love by streaming outstanding originals “Mayhem” (with over 375,000 on Spotify alone), “All The Bugs”, among others.

La Poré – “All We Have Is Us”: The Cleveland native and current L.A. resident is back with a delightful pop tune from the heart. His sincerity is felt in the vocals and every note that is played. The song is performed with authentic emotion and talent that ought to capture the attention of the mainstream music industry. A veteran of the Ohio music scene, the man also known as Nick Samson landed on the west coast two years ago to take the next step in the music and entertainment industries. The result has been synthpop with realness and soul and “All We Have Is Us” continues that tradition. In the last quarter of 2020, La Poré took part in the virtual music and art festival Moonrise V, in which he was one of four performers featured as part of the event. He has already garnered attention in publications throughout the city of angels, so perhaps with more bops like his current release and previous songs “Close” and “Missing It”, he is on his way to breaking through in the toughest media market in the States. Samson has the knack, poise, and talent to tackle the challenge head on as evident in this new single and his past gems.

Big Smile – “Bible Belt”: The Southwest Ohio-based rockers are back with a rager in the new year that also marks a new beginning. The band may have undergone a lineup change, but they have not missed a beat by dropping their latest. The guys give their all in every aspect of the song from start to finish. They make music that satisfies them and their loyal fanbase and discovery by pop punk and alternative aficionados is icing on the cake. Those seeking something deeper into the song can refer to the band’s lyric video as posted on YouTube as that will provide the full effect. “Bible Belt” provides a terrific chorus, magnificent melodies, and everything comes together for approximately three minutes of alternative rock done right. The Anchor Eighty Four recording artist should be proud of their latest tune and bet the farm that they are eager to get back on stage and perform this raucous song and others in their arsenal like “Killdozer” and “Dependent”. Once live music is back on a grand scale, these guys are going to resonate with crowds everywhere they play. With the record deal, Big Smile is going to make the most of this opportunity and their current single is an amazing start on their quest.

Rooftops – “I Wanna Know”: Multi-instrumentalist Bryan Ream returns with his third ever solo single which expands his range as a musician. His latest offering is acoustic-driven and the focus is more on his songwriting and his voice conveying the song’s message. Every aspect of the song is up to code as Ream hits another home run with an authentic guitar and vocal performance. The voice matches the guitar work from beginning to end and this tune has enough mainstream appeal to be licensed in commercials and films. On his prior releases “Falling” and “Queen City”, Rooftops planted seeds of a bright future of alternative rock awesomeness. With “I Wanna Know”, Ream broadened his horizons and challenged himself as a songwriter and performer. With this task, he has generated a song from the heart that is sure to catch on with rock and pop fans alike. The song is reminiscent of beloved Central Ohio singer-songwriter Nick D’Andrea’s playbook. These two talented lads doing an acoustic show at a café is a dream that must one day become a reality.

Photo by Iamai Studio

We Are The Movies – “The Devil Inside”: The veteran Columbus alternative rock quartet still have a lot left in the tank and their new banger is proof positive. The blokes sound as good as ever with this fresh single. The amazing arrangement along with top-notch musicianship and high-class vocals make for what should be a surefire rock chart entry. The song is all about overcoming adversity and facing challenges as they come one’s way. With the way things are these days, it can be perceived as a song about hope and making every day a fight. Broken Line Records have themselves a winner in every sense. Directed by Danny Rogers, there is an accompanying music video for the sizzing single. WATM show that as songwriters and performers, they can evolve with the times and provide relevant headbanging music for years and years.

Elizabeth & the Catapult: “together, alone”: New York singer-songwriter Elizabeth Ziman is one of the more unique soloists out there as proven by her latest offering. The piano-heavy ballad seems inspired by the current state of the world that clamors for a return to normalcy, whenever that is possible. “together, alone” seems to also be a social commentary and cautionary tale about just how much humans are disconnected to each other, despite the virtual/digital contact people have with others daily. Ziman is planning to release a new record sometime next month and it is expected that songs about life in the global crisis will be heavily featured. The soul-baring and creativity in Ziman’s storytelling is greatly appreciated and makes for a song that should resonate with individuals processing similar feelings. Although incredibly good as a balladeer, Elizabeth & the Catapult displays she is capable of a lot more on fabulously written and performed tunes such as “You And Me” and “Ambrosia”.

Jimkata – “Liar with the Lights On”: This synthpop trio’s new single is promotion for their upcoming album BONFIRES, expected to drop this spring. It will mark their first full-length album since 2017. They think of themselves as a synth-washed, electro-rock band and the three have garnered praise over the years from the likes of Billboard, Wonderland, American Songwriter, and others. The song lives up to the hype the blokes are receiving with dynamic beats and earnest vocals making for what should be a bonafide pop chart entry. The band also released a super trippy video for it, directed by Greg Ellis. The three middle school friends of Evan Friedell, Packy Lunn, and Aaron Gorsch have themselves a well-crafted catchy head bobber, but listeners should not let the upbeat presentation mislead them. Per the band’s Facebook page, Friedell wrote, ‘This song started as a simple, fun bass groove but by the time I got the idea for the chorus, I knew something more sinister was boiling underneath. It’s pretty clear we’ve been living in an era of lies, misinformation, delusions and mass deception and it was hard to not let that seep into my psyche and therefore the music.’ Those craving more pop precision from Jimkata will enjoy what they hear on “Blessings in Disguise” and “Wait for You”.

Flo Gallop – “21”: Reminiscent of Bridgit Mendler’s “Hurricane”, the London pop artist drops this bop that ought to rule the pop chart on both sides of the Atlantic. It is subject matter than a lot of women and even some men can relate to in terms of anticipating the symbolic age of coming into one’s own. Gallop ought to be admired for her transparency as on display with the song. The lyrics are relatable and Gallop unapologetically performs with honesty, which reinforces the anthem’s authenticity. “21” is well-sung, well-arranged, and well-produced, and its pop and hip-hop flair should give enable it to catch on with lovers of those genres. The song’s catchiness and Gallop’s genuine personality will help sell those on the fence. She clearly doing something right as praise has poured in from Earmilk, Live Nation’s Ones To Watch, and soon to be many more outlets worldwide.

Photo by David Myers

Emma Webb – “90s Playlist”: This marks the British singer-songwriter’s debut single and what a remarkable debut it is. With just a stream or two, people will find out how high-calibre this rising star really is. Webb possesses the skills to go far in the industry and her guitar play and dove-like voice make this folk ballad a delight. She has a way with words and sings them very, very well as evidenced on the single. The song is about good memories and good times with good company and just might be what a lot of people can use for hope and comfort. Besides having subject matter that resonates with the general public, Webb just does a fabulous job showing her future is bright as a singer-songwriter. Those who admire 90s icon Lisa Loeb will appreciate Webb and “90s Playlist” in all its glory.

ROCK RUNDOWN FOR 1/25/21

saltlick – “steel phantom”: Brianna Snider is back with a single that goes back to saltlick’s indie rock roots. As of late Snider dropped electropop tunes like “and that’s not all!” and “Sad Song”, but here she provides evidence she still has it in terms of emo. The new tune shows fans she has not abandoned what brought her to prominence and has a lot left in the tank. Furthermore, it likely is a demonstration of what has been on Snider’s mind given the year we have all had and entrance into an uncertain year of cautious optimism of improvement in society. saltlick does a superb job maintaining the emo indie rock attitude of prior songs under this name. One thing is for sure: Snider gives 100% into every song that is put out there and with the new song, listeners are getting even more quality music to hear.

The Paisley Bandits – “Cotton Candy Skies”: The Central Ohio alt-country/folk band whose principal members, Jonathan Leonard and Jared Knutson plus bassist Zac Robinson, recently delivered their anticipated follow-up single to “New Orleans”. These fellas have a knack for playing high-level music as evidenced on their first song and “Cotton Candy Skies” does not disappoint. The mellow melodies make for nearly four minutes of authentic soothing sounds that help escape the tumultuous start to 2021. The vocals paint a picture and the visual enables the ideal escapism and peace people are seeking as they pursue happiness. The tune is a slower tempo than their premiere single, but the quality is equally as good. Great music is great music and look no further than to The Paisley Bandits who make the most of their musical chops on “Cotton Candy Skies”. It was a collaborative effort as Bobby Leonard engineered, musician Topher James contributed on violin, and Thom DiGiovanni provided the artwork. This team will be a force to be reckoned with in the local music scene for the foreseeable future.

Chey Rose – “Blush”: The enigmatic R&B/pop performer re-emerges with a bombastic ballad that has on-point melodies that work well with Rose’s vibrant vocals. This tune has all the makings of a high Top 40 chart entry and with the appropriate promotion, it will have a chance. The subject matter of love and desire combined with spot on harmonies plus Rose’s voice make for a fiery single that should garner the acclaim and accolades the song deserves. The Columbus, Ohio native currently calls Nashville home, so listeners and fans know from Rose’s experience in two quality music scenes that she means business. Fans of respected singers JoJo and Carly Rae Jepsen should love Chey’s latest and should give previously dropped gems “V.C.R.” and “Seventeen” a listen or two. Slowly, but surely Chey Rose is garnering cache in the industry and given what she has presented thus far, she has made it evident that she is in for the long haul.

Tommy Newport – “Yellow Lines”: The latest from the British-born, but U.S.-bred soloist possesses serious pop and funk vibes with brilliant beats and vivacious vocals. The tune oozes similar aptitude to other beloved singer-songwriters Beck and Simple Kid. “Yellow Lines” is a two-minute party that will get streamed over and over and should resonate with programmers at Top 40 stations. Newport is no stranger to the mainstream as his material has been featured in programming such as Ballers and The Sinner. Plus, he has been featured by outfits such as Flaunt Magazine, DIY Mag, Beats 1 Radio, among others. Newport has amassed a following with prior releases like “Marigold” and “Movie Screen”. Will this be the breakout year for this talented lad? Given what he has released thus far, there is no where for Newport to go but up.

Island Parkway – “It Could Be Right”: This jam is from the mind of Columbus soloist Pat Miller. With help from another relatively new artist Lonely Fossa, Miller has created a funky electropop gem destined to get some local love from the terrestrial and Internet radio stations. The song is performed with sincerity from the guitars to the vocals to the beats. The tune is the right mix of being upbeat and heartfelt simultaneously. If Island Parkway and Lonely Fossa are the future of the Columbus music scene, then the future is vivid as this is the type of music to keep people’s spirits up while they go through this nearly year-long crisis. A great deal or respect goes to Miller for providing good vibes during bad times.

Ghost Train – “Never Forget”: The Ohio rock trio is back with four minutes of All-American greatness. Technically, this tune was released at the tail end of 2020, but reeks of freshness compared to anything that has dropped as of late. Everyone plays their parts extremely well and the combined efforts equal a magnificent musical output that provides feel-good 80s vibes. For those who love old school rock n’ roll with a modern twist, Ghost Train is here to provide the good times. The blokes are always in a good mood and their morale and strong work ethic shine through their music. The presentation shows they mean business and take the craft of putting out top flight tunes seriously. The band still shows that music can be fun yet polished and professional at the same time. “Never Forget” is a terrific track to promote their upcoming EP expected to be titled Life Behind Bars.

Unrivaled – “Doppelganger”: The Cincinnati punk rockers premiered this single as further promotion for their album Quarter Life Crisis, due out in three days. The first two songs released from the record are the gems “I’ve Relapsed” and “Still Alive”. The trio gives their all on the record’s third release as the vocals are a perfect fit with the dynamic drumming, brilliant bass play, and gritty guitar work. The lads live up to their name as their brand of rock is polished and it is difficult to pinpoint a comparison to anyone else. On the other hand, per their Facebook page they name drop heavy hitters Green Day, Rise Against, and others who they likely draw inspiration from. The key is that these guys try to be themselves versus another version of somebody else making for something that is genuine and rocks all the same. Based on what Unrivaled has unveiled so far, they are in for a fantastic year of praise and accolades.

JET BLACK ALLEY CAT – “Paralyzed”: A week and a half ago, the Nashville quintet presented the music world with a fiery bop destined to storm the pop chart. The musicianship combined with the infectious and catchy vocals make the song a hit from the opening note to the last. Based on this terrific track alone, the best way to describe JBAC is 1/3 each of Nothing But Thieves, Clear Static, and The 1975. That makes for a killer combination providing danceable, head bobbing songs like “Paralyzed”. The track’s production is on point, reinforcing the notion band has a world class hit on their hands. One day, jam packed venues across the globe will be jamming to this song and other JBAC gems “She’s Alright” and “Ex Lover Syndrome”.

Sid – “Bridges”: The title track to the Mumbai-born singer-songwriter’s EP possesses authentic vocals and pristine beats making it worthy of widespread acclaim. Currently calling London home, Sid bares his soul on this tune and the accompanying two as they deal with his relocation. The gent has a fabulous future ahead of him as at the age of 18, he has generated a trio of songs full of transparency, sincerity, and hope. Sid puts himself out there and hits the target with not one, but three well-crafted ballads that tell a true story of idealism in the face of uncertainty. Those who love “Bridges” will feel emotion when streaming the equally wonderful songs “Connection” and “Fire”.