ROCK RUNDOWN FOR 10/26/20

Hello Luna – “Wait So Long”: The Columbus, Ohio quartet responsible for hits “Sound and Sorrow” and “Sympathize” returns with yet another remarkable tune. Back to a four-piece, members Kenzie Coyne (vocals, guitar), Michael Neumaier (drums), Eric Morgan (guitar), and newest member Mitchell Horn (bass) click on all cylinders to come up with a track that ought to be an Alternative radio staple much like their previous fare. Coyne’s dove-like vocals, her and Morgan’s guitar work, Neumaier’s drumming, and Horn’s bass play are an excellent match making “Wait So Long” reminiscent as “Stitching Holes”, which is the song that started it all for the band. The song strongly reinforces the band’s strong work ethic, brilliant songwriting, and prolific performing. Hello Luna is making tremendous songs on their terms and although they are not chasing a record deal, they are more than deserving of one.

Meagan Hillyer feat. Moistrus – “Never Stop”: The Central Ohio singer-songwriter dropped her first ever Spotify single just three days ago and it is a winner right out of the gate. Hillyer combines pop, funk, and soul to come up with her own unique style to stand out from the pack of other soloists. This collaborative effort with Moistrus on the Tribal Trap label packs power with badass beats combined with Hillyer’s fabulous vocals making it a formidable single on the Pop and Hip-Hop charts. This definitely leads to a curiosity factor of what else Hillyer has up her sleeve. Hillyer is an industry veteran at age 27 and based on the result of this most recent release, it is evident she has a full tank left for ages. When live events can commence on a large scale, it is in quality music lovers’ best interest to see this terrific talent grace the stage as they will not be disappointed.  

The (?!?!) – “WHAT’S UP?”: Released on October 18, the alternative pop artist known as The Punctuation’s new single is a fun and funky ditty that reflects what a lot of people are experiencing this year. With an edited version suitable for mainstream radio, the track has tons of potential at R&B and Top 40 stations with its amazing harmonies, bombastic beats, and on-point vocals. What makes “WHAT’S UP?” so brilliant are the relatable lyrics about overcoming adversity and having nowhere to go but up. “The bottom is a place down a lonesome lane / in Hell, USA but it’s also in your brain / God forbid you find yourself stuck there / On a one-way ticket on a bus from nowhere.” Now calling Arizona home, Ben Brown has himself a head bobbing tune that will make listeners interested in what he has in store going forward. Plans are to release a record next year, but until then those who love this new jam should give previously released gems “Sex, Drugs, & Violence!” and “Panic Pandemic” several spins.

The Wet Darlings – “Radiation”: On this well-written prolific piece, the much beloved Columbus four-piece demonstrates they are ready to make their long-awaited comeback. “Radiation” is the follow-up to the band’s critically acclaimed album Beautiful Things. The new song has received much love over the past few weeks and after just a few seconds, listeners will know why. Jenny Lute (vocals), Aaron Bishara (drums), and brothers Joe and Bill Patterson (bass and guitar, respectively) slow down the pace compared to prior hits “Bicycle” and “Used To Be Better”, but the quality is still top notch. Lute’s haunting vocals are on point with the music serving as the perfect background to provide a ravishing tune. It is the perfect tease to what the local scene hopes is an equally impressive album, which will be their first in half a decade.

Faith In Failure – “Leave Me Behind”: Ten days ago, Columbus-based heavy modern rock quintet dropped a rager that rips from start to finish. It is four and a half minutes of the band going pedal to the metal, or perhaps in this case metal to the pedal. Every member plays their role to the hilt, making for a surefire smash on Rock radio. In fact, “Leave Me Behind” recently made it all the way to fifth place of Cincinnati station 96Rock’s fan voting contest with a spot at the Bunbury Music Festival at stake. Approximately one year ago, the band played one of the biggest shows of their careers at PromoWest owned venue A&R Music Bar with other local heavy hitters A Decade Apart, Noise Auction, The Lost Boys Collective, and deadbeat. Their stage presence along with raucous recorded material means a long and successful future in this business. People who are blown away by this metalcore act’s latest offering ought to check out prior tunes “Sleepless” and “Vampire” to get the full effect of what FIF is capable of.

Summer School – “Feelin’ Myself”: Released October 23, the Love Groove recording artist has himself a very slickly produced and performed poppy bop. The vocals and melody are tremendous, making for a very catchy track for the fall. The song is most definitely worthy of inclusion on Hip-Hop and Pop stations as listeners will not help but to tap their toes and sing along to the chorus. With 2020 being a morale drainer, leave it to Summer School to provide a song with a sense of escapism with flair and passion. It is well worth for listeners to stream songs of yesteryear like “Kim” and “God” (in which the vocals are similar to that of Tears For Fears’ Roland Orzabal).

Northern Remains – “Antipathy (Carry Me Home)”: Two weeks back, the metalcore outfit released this rampaging banger to much praise. The screaming is perfectly placed and the chorus is wonderfully song alongside each member playing their part to precision, making for a can’t miss radio smash. People cannot help but root for the Reynoldsburg, Ohio group to succeed as the band has had to overcome multiple lineup changes and even tragedy to get to where they are now. The new single is not necessarily reflective of where the band has been, but where they are going. What Northern Remains has generated thus far makes them a band on the rise in the local scene and once live shows happen again, expect them to captivate audiences from the first note to the last.

Hollin Kings – “Hold On”: This Cleveland area quartet’s latest offering is good old-fashioned rock n’ roll brilliance and is a breath of fresh air from anything heard in recent memory. The guys combine their love of classic rock and modern rock to come up with something in between that defines their signature sound. The group started as a cover band and continued to do that to earn money and eventually transitioned into creating and recording their own material, which is most definitely up to code as heard on previously released tunes “Echoes of the Past” and “Dead and “Gone. On “Hold On”, the singing is sharp and the drum and guitars are striking throughout the banger. In conjunction with Black Squirrel Radio, the band will be performing as part of a live stream on Wednesday, October 28 at The Kent Stage. Those curious of what these blokes bring to the stage ought to tune in and they should most certainly live up to the praise they have received thus far.

Cassidy – “The Devil”: From Berlin, Germany by way of Calgary, Alberta, this talented singer-songwriter introduced the world to this poppy ballad 13 days ago. The song was written a few years back and details the trials and tribulations of heartache, which should be relatable subject matter for pop aficionados. Her vocals hit the target throughout and gel quite well with the piano and drum work. Cassidy’s soulful voice is distinct that she does not sound like any other pop divas currently ruling the airwaves. The song has enough kick to compete at Top 40 radio and fingers crossed that “The Devil” finds an audience as its performance and performer are heavenly. For more evidence of the Canadian-German crooner’s bright future, singles “Lying” and “Sex and Wine” are recommended streaming.

INDIE/FOLK ROCK TRIO LINDEN HOLLOW RELEASES SOLID NINE-SONG RECORD

Artist: Linden Hollow

Title: Light The Lanterns

Format: LP

Release Year: 2020

Members: Emily Ng (bass, singing saw, viola), Paige Vandiver (drums, percussion, vocals), and Rebecca McCusker (piano, guitar, vocals)

Producers: Linden Hollow, Jeff Straw, and Cory Scott

Released a matter of days ago, Columbus, Ohio-based folk/indie rock trio Linden Hollow dropped their latest full-length as a follow-up to 2017’s Luna. Three years is a long time between releases, but the three-piece sought to make the new album special. It is, in fact, incredibly special given that the funding came from the Greater Columbus Arts Council which is available to select acts in town. Furthermore, making the LP great is the mixing done by veteran Engineer and local musician Jeff Straw (of Straw & The Scarecrow, Sussman Can’t Sleep, and The Devil Doves fame) along with Cory Scott.  

The first song off the album is “Maybe You Can Stay” and is driven by pristine piano work and its spot-on vocal work, with the latter being a commonality throughout the record. The title track is actually listed second and gives off Tori Amos vibes with sharp vocals and splendid piano play. It is a strong song to set the tone of the album. The third track titled “Never Worn These Boots” stands out with superb guitar work, on-point singing, and dynamic drum play making for a pretty rocking semi-ballad ready for Alternative rock radio.  

“Cape Cod Girls” is four minutes and ten seconds of strong storytelling with the vocals and guitars matching blending together brilliantly. The fifth song titled “Twenty Five” the most up-tempo on the record so far and would do quite well on the Alternative rock charts given all the parts harmoniously come together to make for a toe-tapper. The seventh track, “Wild Roses”, takes the pace down a bit, but it is a fantastic tune that will drum up memories of pianist Vanessa Carlton with the perfect placement of the keys, strings, and vocals. It makes for the perfect easy listening song to escape from the world, even if for just under three minutes.

The eighth song “Trains” is a different tempo than “Wild Roses”, yet is well-crafted continuation of the indie folk goodness throughout the album Closing out the LP is the clever track “Salem” and its haunting presentation makes it another candidate for radio airplay at Alternative stations worldwide. Linden Hollow has a masterpiece on their hands that delivers from the first note to the last.

Overall, Light The Lanterns is an absolute gem from the standpoints of songwriting, musical execution, and the production. Ng, Vandiver, and McCusker should be proud of the final product and mixers and co-Producers Straw and Scott should also be happy with a job well done. Linden Hollow is a must-see band live and in living color to bring their songs to life on stage and perhaps one day, they will be able to join a bill with similar home state acts The Katawicks, Xioma, and The Castros. Until concerts commence on a regular basis post-pandemic, the new record is worthy of listening to over and over.

ROCK RUNDOWN FOR 10/12/20

We Are The Movies – “Bury Me”: The elite Columbus, Ohio pop punk band returns with a vengeance on this sizzling single featuring City Lights and Beartooth vocalist Oshie Bichar. Released on October 9, every individual part on the song is performed precisely, making for a surefire hit on the Rock Charts. Tim Waters’ crisp vocals are an excellent match with the crunch of guitar play from Dan McMillan and bassist Stephen Goldstein in the background. The smashing drum work by Bryan Overholt brings everything together making “Bury Me” a song worthy of infinite admiration and accolades. Amid a crisis, WATM’s message of hope and overcoming adversity is a welcome one as lives are at stake. Those interested in learning more about the song’s purpose may watch the lyric video posted to YouTube recently. Once live shows resume on a grand scale, expect “Bury Me” to be an instant crowd fave as the quartet who Alternative Press named a 2020 Band to Watch has a reputation of audience participation. Those who fall in love with this tune will likely enjoy the band’s prior recordings like “Get Busy Living or Get Busy Dying”, “Living for the Weekend”, among others.

Van Isaacson – “Strangers”: The Wisconsin-born singer-songwriter gives every ounce of heart and soul on his latest song which dropped three days ago. Mixed by Sam Roller and mastered by Cameron Drow, “Strangers” is a mid-tempo song ready to take the Hot AC chart by storm. “Strangers” is about a relationship that was not meant to be long-term, but later in life out of nowhere both parties briefly reconvene. Isaacson took his talents to Chicago and later migrated to Nashville to get to the next level. With his latest being a well-crafted and well-executed pop-rock masterpiece, he is definitely headed in the right direction. Independent singer-songwriter enthusiasts might find commonalities with his approach and style in two other up-and-comers Nick D’Andrea and A.J. Gatio. His prior 2020 release “Space Between” is further evidence that Van Isaacson has a bright future in this industry.

Static Res – “Forgot It Was Wednesday”:  This hip-hop/R&B soloist born in Maryland dropped his latest tune last month and the title alone is one that the masses can relate to given the current state of the world. The beats and guitar play are on point, making this a track totally worthy of play on hip-hop stations everywhere. Static Res’ vocals are spot on, performed in a casual demeanor that will resonate with listeners. There is an accompanying video for the tune, which was directed by wxy, slicky produced by Chris Manocchio, and engineered by Jimmy DeRosa. The vid’s vibe matches the laid-back style of the single, making for an in-sync work of beauty. The YouTube comments alone demonstrate that Static Res is a force to be reckoned with in the hip-hop scene for years to come.

Tourist Trap – “Good Times”: The Columbus alternative rock four-piece delivers an absolute bop that will liven the mood in these dark days. They have the credibility under their belt as openers for well-known rock outfits like The Sun and Franz Ferdinand. That attribute along with the output from their most recent ditty are proof alone that Tourist Trap is for real. “Good Times” is the epitome of indie rock goodness with splendid vocals, strong drum work, and delightful guitar play for three and a half minutes. Once in-person concerts start up big time, it is foreseeable they will be part of a bill along with other Ohio-based indie rock wonders A Cure For Love and Guest House. They are also Founders of Gnarbeque, an arts and music festival that raises money for local charities.

Raquel Lily – “Heartstrings”: One week ago, the three-year veteran of the industry released this pop ballad. Lily has not only musical talent, but intellect and intelligence to go with it given her days at UC Davis where her musical career began as she earned a degree in Neurobiology, Physiology & Behavior. “Heartstrings” is brilliantly performed with bluesy, soulful vocals unlike anyone else out there in the pop game. Lily has a knack for the DIY approach to music by singing, playing guitar, writing, and producing her own works and serves as her own manager for live performances. If this single is heard by the right people in the business, Raquel Lily will be all over national television and radio in no time. She is also and avid podcaster as co-host of a program on the platform Twitch. The work ethic, the smarts, and the outstanding output are there for her to make leaps and bounds as an artist and more.

500 – “It’s for You”: The Columbus indie pop duo has a new instrumental out and it is as soothing as it is artistic. The gents behind the band have clearly put everything the have into the final product, serving as evidence they should be making succulent sounds for a long time. The simple guitar and drum dynamic works here making for a perfect tune to covet rest and relaxation, something sought by many in the times we currently live in. Carson DiSalvo (guitar) and Miles Miller (drums) should be proud of their accomplishments thus far in releasing two full-length records earlier this year along with numerous splendid singles. Local bands Low Tide and Bummers would be excellent on a bill with these lads and one day when live music is the norm again, perhaps that dream will come true. If life has got one down, the surf rock sounds by the fellas of 500 are just the remedy.

RAGS AND RICHES – “Tension of the Season”: The Lexington, KY two-man group is back with their fantastic follow-up to the equally fantastic “Summer Nights”. This song’s tempo is dialed down a bit, but the happening harmonies plus vivacious vocals make for another surefire single from these bluegrass boys. The Whitt brothers (Tanner and Peyton) dropped a video for the semi-ballad directed by Christian Campbell with the current public health crisis as the song and vid’s theme. The output is a song promoting hope and diplomacy without the divisive politicking seen and heard elsewhere. These guys show not just talent, but empathy and compassion for their fellow living beings. Their well-performed, passionate plea for peace is precisely what society and the airwaves need in these trying times.

Starbenders – “Can’t Cheat Time”: The Sumerian Records artist from the ATL returns with a banger that has lead singer/guitarist Kimi Shelter’s pipes on full blast. Shelter along with bandmates bassist Aaron Lecesne, guitarist Kriss Tokaji, and drummer Emily Moon play their individual roles perfectly and deliver awesome alternative rock goodness. It is what Starbenders has been known for since the band’s inception six years ago. The group has the musical chops down cold along with their visual appearance, making for a total package unlike any other out there among indie label artists. Their latest offering continues the pattern of rock n’ roll done right with proper production value and maximum effort evident from beginning to end. The video for the tune is an ode to small businesses in Atlanta, which are more impacted by the pandemic than corporations. The praise Starbenders has received for “Can’t Cheat Time” in such a short period after its release shows the quartet deserves the success they have acquired thus far and the momentum shall take them to the next level.

Chey Rose – “Number One”: Clocking in at approximately two and a half minutes, this pop bop is about the desire for meaningful romantic companionship. More specifically, it is a callout to wanting a partner who makes their partner a priority. Rose’s vocals are an absolute match across the board with the song’s melody and should be a big time jam for a long time to come. This Nashville-based artist by way of Columbus creates songs familiar to people of her generation dealing with love and the fallout from it. Will “Number One” make it to that same position on the Top 40 Chart? Only time will tell, but its production and execution are terrific and this song will resonate with people who feel the same about commitment

ROCK RUNDOWN FOR THE WEEK ENDING 8/21/20

EKKOHAWK – “Weapons”: The Central Ohio quartet’s latest single is some finely constructed and much needed pop rock escapism that will take folks back the awesomeness of the early 2000s Top 40 airwaves. In today’s uncertain and unfortunate reality, this well performed bop is excellent ear candy as summer winds down. Comprised of Brent Billet (vocals), Bob Blackburn (bass), Shawn Huff (drums), and Derrick Zajac (guitar), EKKOHAWK has been cranking out alternative jams for years and each tune is worthy of constant head bopping and significant radio airplay. Billet’s vocals are a hybrid of Fred Durst and Steve Harwell’s and gel with the musicianship of Blackburn, Huff, and Zajac. When live shows are a go again, do not miss the band in action as they bring the sizzle and steak to every performance. Until then, previously released singles “Autopilot”, “California Chrome”, and “Farewell to Arms” are recommended to be played on repeat.

Starbenders – “Cover Me”: This Atlanta alternative rock outfit has a great sense of style, but musically they have an equal amount of substance. Kimi Shelter (lead vocals, guitar), Aaron Lecesne (bass), Emily Moon (drums), and Kriss Tokaji (guitar, backing vocals) each hold up their end of the bargain, making them an example of a world class glam rock band. Back on July 29, the band released the official video for this masterpiece off the record titled Love Potions and the video’s quality is on par with the song. Although the group gives off a Fleetwood Mac vibe, the band makes it clear they want to blaze their own trail on their own terms. Shelter, Lecesne, Moon, and Tokaji are totally in sync with one another parts-wise and Shelter’s passion and vigor shines through on the vocals. Sumerian recording artist Starbenders has a surefire attention seeker with this tune, but for a bigger sample size of what these four bring to the table other check out some other tracks such as “London” and their take on Depeche Mode’s “Precious” with help from Remington Leith.

Katie Davis – “I’m Right Here”: Less than two weeks ago, the Columbus, Ohio-based country singer released a video for this song chock full of tenderness and sweetness. Davis sings and performs the song very well and she will get the listener to believe in the song and in her. “I’m Right Here” is about the dearly departed being with grieving loved ones in spirit. The song is quite relevant given the current pandemic in which many lives have been lost. Davis has proven that she has as much heart as she has talent and has a bright future in the local music scene and the industry as a whole. In addition to her new single, Davis’ 2015 EP Steal My Heart has terrific songs to hear such as “You Said” and “Someone’s Someone”.

Avanti – “The Path Less Traveled”: Based out of Cincinnati, the five-piece post-hardcore band touts the new single as the heaviest they have ever released. The individual parts are brilliantly played by each member and the scorching vocals are perfectly executed on the song. “The Path Less Traveled” has every chance of being a breakout as the rage exuded by the band is relatable to metal fans everywhere. The group released a fabulously produced and directed video for the tune that matches the song’s intensity to the letter. Avanti demonstrates they are fabulous storytellers that have the musical skills to match. In addition to a bright future, the quintet also has a big heart as they are known for providing their time and resources to non-profits in their area. The group likes to take the initiative and it is almost certain they will challenge themselves to come up with a track as heavy and as loud as “The Path Less Traveled”. Until that song is released, genre lovers will dig Avanti’s earlier fare like “Dirt” and “28 Days Later”.

Unlawful – “Through the Wire”: Earlier this summer, the folk-rock trio premiered this ditty to much praise. The band used to call Central Ohio home, but relocated to Murfreesboro, Tennessee (near Nashville) to take their careers to the next level. The change of scenery seems to have paid off with a toe-tapper of a song that is catchy enough to make one forget about the harsh realities facing society. The group even made a delightful video for the tune which features bandmates and life partners Devin and Jeromy Sahr sharing the awesome vocals. The guitar play by Jeromy Sahr mixed with the workings of cellist Kyle Chatfield makes for a fantastic song from beginning to end. “Through the Wire” is equally as high-quality as the band’s prior songs from yesteryear “Mercy”, “Set It On Fire”, among others.

Carrie Whatley – “One More Dance”: The Western Ohio singer-songwriter created this uplifting and sincere song in honor of her companionship’s one-year anniversary. It is a wonderfully written and performed acoustic work that will make the lovelorn hold their respective partners a little tighter. It takes a great deal of skill to focus on creating positive art in the midst of a contagious virus, civil unrest, and economic despair. All the credit in the world goes to folk artist Whatley for coming up with such an emotion inducing song in a time of escalated divisiveness. Her dedication to her significant other tells listeners her heart is huge and perhaps that is something worth spreading in these trying times. Whatley bares her soul with this greatly crafted track and the more this song is heard, the more love she will get in return from folk music fans.

Careful Gaze – “When I Leave”: Best known for the powerful 2019 song “Rainbows”, the Minneapolis post-hardcore band returns with a song that is just as significant and relevant and it should catch on with rock enthusiasts. Made up of Gabe Reasoner, Preston West, and Aslan Denbow, Careful Gaze’s latest banger contains excellent vocals from Reasoner as when he sings, people pay attention. The band has something important to say and with their storytelling and musical execution, they get their message across well. The song has an accompanying book that further expands on what the band conveys in the tune. Hats off to the group for being able to put out music and literature during this modern-day civil rights movement as being in the town that started it all had to be taxing. “When I Leave” demonstrates the lads create songs of depth that leave people with something to reflect upon.

Motherfolk – “F.U.S.”: The Cincinnati-based indie quintet is back with this song of sheer beauty which just dropped today. The group utilized Instagram’s IGTV to premiere the video for the tune, which is more comedic than the song itself. The three-minute ballad entails terrific singing and musicianship with F-bombs sprinkled throughout, which gives a hint as to what the title’s initials stand for. The band feels just like most people these days as it pertains to the cards this year has dealt. Even if they are tongue-in-cheek with their latest track and accompanying video, on all other songs Motherfolk takes themselves and the music seriously. Their work ethic led to them earning a spot at this year’s Steadfast Festival, but current events indefinitely postponed the gig. “F.U.S.” is meant to be comedy to cope with a stressful way of life, but their arsenal is full of tremendous works indie rock fans will love including “Salt Lake City”, “Hiccups”, and more.

Big Smile – “Killdozer”: Also from Cincinnati, the alternative rock band premiered their new single earlier this morning. Released on Anchor Eighty Four Records, the single exhibits familiar and popular pop punk greatness that with the new record deal should take the band to newer levels. Lead singer Scooter Smith, drummer Cameron Hayes, bassist John Morris, and guitarists Noah Jatczak and Ethan Saling have worked hard to obtain this deal and with the excellence of “Killdozer”, they mean serious business. All five members play their roles to the hilt, proving that Big Smile is ready for the big time. The band’s professionalism along with the song’s top-notch production values presents Big Smile as every bit as good as alternative rock mainstays Sum 41 and Thursday. If not for the postponement of live shows, these blokes would be able to bolster their profile with what they bring to the stage. Since what the band has to offer in the studio is on point, bet the house concertgoers will not be disappointed. Their back catalog of songs including “Pillbox Hill” and “Oscillate” are worth a listen to learn what they are all about.

ROCK RUNDOWN: NINE SINGLES THAT WILL MAKE YOU SWEAT

Blend – “Me, Myself & I”: The Central Ohio alternative rock quartet’s latest single starts off mellow with calming southern rock vocals and melodies giving listeners the impression they are getting one amazing ballad out of these blokes. Once the two-minute mark hits, though, Blend cranks it up and delivers the signature rock sound embraced at live events. Although high energy, entertaining concerts are what the band is best known for, Blend has demonstrated with each release that their recorded versions of tunes are equally as solid. These four fellas from the Buckeye state are proud of their progressive rock M.O. and they are getting fabulous feedback for what they have displayed thus far. The song tackles the struggle of identity and certainty, which makes it a single that is relevant to the unrest happening and globally. If Blend set out to drop a well-crafted and upbeat rock song about collective struggles, the lads have excelled with flying colors.

 

Sean Benjamin – “Find Your Own Way Out”: Today, the highly respected Cleveland area singer-songwriter dropped his brand new EP which includes this title track. Earlier in the week, the record was hyped with a promotional video featuring psychedelic art by Stefania Buzatu. The song is atypical for the Ohio State Alum as Benjamin is known for pop and funk infused originals and “Find Your Own Way Out” tends to go more down the road of jazzy blues. The veteran musician’s ambitions were to expand his creative horizons and demonstrate to music aficionados he has a variety of songs and styles to offer. The EP’s other offerings include a reprise of the title track (for which the video is based on) and the on point “Bring Love My Way”.

 

The Heisey Glass Company – “Orchard”: The Dayton trio’s latest single oozes with Black Keys-vibes early into it, with the drums, guitar, and vocals in precise harmony with one another. Those seeking old-fashioned, in-your-face, butt kicking rock n’ roll have found their summer anthem from these guys. The lyrics are understandable and digestible and with the world in turmoil, this tune is the absolute escapism many people are seeking. The band has succeeded in presenting a track that is easy to dig to lighten the mood a bit. Performers Sam Cannon, Clayton Piatt, and Jake Shook should be proud of their latest effort as it is sure to catch on with listeners. Rock connoisseurs who embrace it can get their fix of more traditional Midwest rock courtesy of the group’s past releases, “Jaguar Jam” and “Where Does the Mountain Live?” from last year’s album Glass Factory.

 

 

Damn The Witch Siren – “Love Song in D Major”: The Columbus electropop duo of Bobbi Kitten and Z Wolf recently released a video for this gem from their latest 10-song album White Magic. Shooting a video during a pandemic is not the easiest thing in the world to do, but with help from Stephen Takacs Photography the pair got the job done. The video looks every bit as good as those big budget numbers featuring major label acts and the song holds its own with anything played on Top 40 radio right now. The group provides brilliantly executed musicianship combined with Bobbi Kitten’s unforgettable vocals for a bop sure to get people dancing this summer. Already known for playing to packed houses around town, once concerts resume on a full-scale do not be surprised if this tandem gets offers to be the local opener for artists the caliber of Carly Rae Jepsen, Walk The Moon, among others.

 

 

Nick D’Andrea – “Look Up Close”: Known for fronting highly regarded bands Nick D’ & The Believers and Doc Robinson, the singer-songwriter genius flies solo for this song released earlier this month. D’Andrea keeps it simple with his nurturing voice accompanied primarily by an acoustic guitar, calming percussion work from Wet Darlings drummer Aaron Bishara, perfectly placed bass work from Seth Bain, and some violin play by Chris Topher James Shaw and it works like a charm. By sticking to the basics, D’Andrea proves to his followers his versatility which will lead to longevity in his career. “Look Up Close” is three and a half minutes of mid-tempo happiness that serves a breakthrough a lot of people need in these trying times. The Central Ohio performer made this song with love in hopes it gives people faith and it is safe to say he and his session players have absolutely succeeded.

 

RAGS AND RICHES – “Summer Nights”: Hailing from the college town of Lexington, Kentucky, the brothers Whitt (Tanner and Peyton) have themselves one of the best pop songs for the season. Peyton’s drum work matches Tanner’s vocals to the letter, making for approximately three and a half minutes of bliss. The lads might not have a record deal right now, but if they had a big budget label funding “Summer Nights” bet the house it would be all over Top 40 pop stations across the country and beyond. These musical thoroughbreds have the skills to back up their style and should ride high for a long time to come. For those who find their newly dropped bop to be a delight, check out other RAGS AND RICHES tunes released earlier this year like “Don’t Look Down” and “Blood Runs Cold”.

 

 

stop.drop.rewind – “Love, No Medicine”: This Valparaiso, Indiana alternative rock outfit always brings 100 percent to every endeavor, whether it be live performances or in this case their latest single. The strong vocals are in perfect sync with the guitars, bass, and drums making for a fabulous banger sure to get listeners’ adrenaline going. In unfortunate news, this is the last SDR single that will feature member Matt Alley, who recently departed on good terms. His bandmates Kris Lohn (bass, vocals), DJ Crenson (guitar, vocals), and Andy Sutton (drums) will carry on with the same vigor that has brought them praise thus far. “Love, No Medicine” is fabulous hard rock that alternative rock stations would be privileged to have in their rotation. The track’s structure combined with the band’s energy and effort makes for a very hard hitting four minutes. The band has been perceived as a hybrid of Weezer and Motion City Soundtrack, but it will be up to listeners to decide that. Given what the group has brought to the table with their latest tune, one might think that they are in a class by themselves and it seems the veteran power pop act will blaze their own trail on their terms.

 

Saltlick – “Sad Song”: Splitting her time between Columbus and Pittsburgh, performer Brianna Snider is the mastermind of this eclectic and prolific musical act. Her newly dropped single demonstrates a return to her experimental electronic roots that was the origin of the musical project when it started years ago. Over the years, Snider has released tunes and played live under the Saltlick name and as half of the beloved duo Bexley Moms. Over time, Saltlick evolved into an alternative rock group with session players but with the new single she is back on her own and it works. Per her official Facebook page, Snider said, ‘Lately I’ve been working on getting my passion back with music. That has caused me to come full-circle and embrace the electronic side of myself once again.’ “Sad Song” is a solid electronic ballad performed with sincerity and authenticity that might be suspect under a major label artist with a huge budget to overproduce. Snider is letting the listening public be part of this personal musical journey and what she expects is the utmost respect. Her latest entry puts her on par with other quirky independent artists like Laura Veirs and Amy Shark who write and play with authenticity.

 

Above The Sun – “Empty Words”: About a week ago, the Staten Island quartet premiered a video for this slickly produced and smoothly performed mid-tempo tune. The band comprised of Matthew Barouch (vocals, guitar), Shaun Gold (guitar, vocals), Omar Chowdhury (bass), and Gary Boardman (drums) has presented a dramatic and romantic story that would fit perfectly on a serious drama’s soundtrack. The New Yorkers have cranked out a semi-ballad from the heart, which just might be the song we collectively need as the world mourns and heals. “Empty Words” is touching and people making their way through these times of uncertainty will relate to it. Above The Sun should be proud of the song and video as “Empty Words” should resonate with romantics everywhere. Those seeking more of the band’s tremendous work can hear other quality tunes such as the speedy bangers “Lost & Found (End of the World)” and “Dumb”.

INDIEPOP QUARTET’S FIRST EVER FULL-LENGTH EMPHASIZES HUMANITY AND COMPASSION

Artist: Trying

Album: This Is Not a Disco

Release Year: 2020

Members: Cameron Carr (lead vox/guitar), Brady Costigan (guitar/bass/vox), Zayn Dweik (drums/ backing vox), Laura Lenhart (clarinet/vox/glockenspiel)

Producer: Cameron Carr

Artwork: PJ Mollenkopf

 

Columbus, Ohio’s indiepop wonder Trying have constantly earned praise for their crafty musicianship at live shows and for prolific recorded material. In the band’s own words, their debut LP This Is Not a Disco is the culmination of prior EP and single releases. According to the band’s Bandcamp page “This album is a consideration of struggle, in ourselves, in others, and in the attempt to help. Attempting to merge the light and dark of two preceding EPs, we let the expression and emotion veer.”

 

The title track, so to speak, lives up to its title yet is a danceable indiepop bop exploiting Carr’s soothing voice with bandmates Costigan, Dweik, and Lenhart performing their parts with sheer precision. It is certainly a contender for getting airplay on various independent terrestrial and Internet radio stations. Another brilliant up-tempo candidate for airplay is “That is Not Your Dirt” which gives off Flaming Lips vibes yet is catchy enough to catch on big time. The record’s fourth song “It’s a New Job” is performed with nonchalance that listeners can relate to. The album’s tenth song “I Just Can’t Feel the Rhythm” is an excellent fit at respected terrestrial station CD 102.5 FM, once of the few non-corporate alternative rock stations in the U.S. that plays the indie rock, classic and mainstream alternative, and local acts on a regular basis.

 

Infectious indie tunes are in abundance on the LP sure to get genre enthusiasts to fall in love with them. “Paint the Walls Yellow” is a gem that has a chance to break the band with its singalong potential when live shows resume. “Oh, What an Awful Way” may not have a positive title, but listeners should not let that fool them as the track is another prime example of songwriter Carr’s method to his brilliance. Although short at under 90 seconds, “Dog Videos” has a happy title and has its speedy moments before Carr and Lenhart quickly slow the pace down.

 

Throughout the record, Trying demonstrates they have a softer side and take things down a few notches with several ballads. “Blowing Wishes” is the album’s longest song clocking in at 3:49 and enables peace of mind in a period of unrest. “Don’t Worry” is formal dance worthy and the title itself is comforting in extremely uncomfortable times. “I Won’t Let You Lose the Rhythm” is not a track to necessarily dance to, but it is one that will make listeners stop and think. Clocking in at under two minutes is “What Have I Become?”, which is one of the LP’s most relatable songs in this time of need as people have changed in some way, shape, or form in the new normal.

 

Carr, Costigan, Dweik, and Lenhart have created one of the most emotionally transparent records heard in recent memory. The talented quartet as individuals are as full of ambition as they are smarts and empathy. This Is Not a Disco closes a chapter with some songs designed to get folks frolicking and other songs created to get people reflecting. Trying set out to create a musical rollercoaster with their newest release and have completely succeeded. The lady and lads should be proud of a job well done and indie music aficionados will enjoy consuming this worthy offering. In a year or two, the music listening public will look forward to what songs Carr and company have to offer as part of their evolution.

 

THE FINE 9: VOL. 2: SIZZLING SINGLES

No one really knows when artists will be able to resume touring to play their classic and new material to live audiences in-person. With just about everybody focused on their well-being these days, it is totally plausible that a lot of new music may have gotten lost in all the furor. This is especially true for independent and unsigned acts without the budgets of major labels at their disposal. To shine a spotlight on well-deserved artists’ recently released efforts, here are nine tracks that dropped in 2020 that need to be played on repeat. While giving these new songs a spin, checking out the respective artists’ bops and bangers from yesteryear is strongly encouraged.

 

Zach Frost – “Death Wish”: The veteran Central Ohio singer-songwriter’s latest work of beauty premiered last Friday with an intimate live show on Instagram to boot. Frost has a track record of coming up with terrific tunes that regular folks can relate to (like mainstay “Rock Bottom”). The accompanying music video was produced by the genius known as Jakob Mooney and the new song features Tim Waters of We Are The Movies fame on keyboards. The single is about taking control of the narrative, but also holding yourself accountable for your actions, choices, and perspective. At a time when decisiveness is at an all-time high and some people are going through hardships, Frost deserves a lot of credit for lighting the fire that folks need to forage ahead to get back on track.

 

 

Trying – “This is Not a Disco Pt. 2”: The Columbus quartet’s new single certainly creates anticipation for the band’s new album, dropping July 10. Vocalist/guitarist Cameron Carr’s calming voice works brilliantly on this upbeat radio-friendly bop. Released on April 28, “This is Not a Disco Pt. 2” is the type of song to help folks take their minds off the world’s ills…even if for just a few minutes. Also doing fabulous work on the track are Brady Costigan (bass), Laura Lenhart (backing vocals, clarinet), and Zayn Dweik (drums). Music lovers should look to the talented foursome’s archives for some key gems. Trying gives off Shins/Gotye vibes that fans of those acts will find on tunes “I Just Can’t Feel the Rhythm” and “That is Not Your Dirt”.

 

Straw & The Scarecrow – “Can’t Let Go”: For some these days, companionship is more important than ever. Here comes light at the end of the tunnel from musical and life partners Jeff Straw (of Columbus acts The Devil Does and Sussman Can’t Sleep) and Paige Vandiver (from indie pop trio Linden Hollow). Based on the lyrics, the tune comes across as a concession of the one who got away. The vocal arrangement and presentation by Straw (who also plays guitar on the song) and Vandiver make for a touching tune that will have listeners interpreting what it means to them over and over. When an act can create such a thought-provoking masterpiece, they are on the right track. Here is hoping that the team of Straw and Vandiver will have more tracks for the public in this time of reflection and perspective.

 

Ghost Train – “Jailhouse Woman”: Formed in 2017 by Miami University attendees Ryan T. Griffis (drums, vocals) and Eric Moss (guitar, vocals), the outfit has expanded to a quartet with bassist Sean Stone and keyboardist Andrew Stuve brought into the fold. Released on March 13, “Jailhouse Woman” is as straightforward butt kicking bluesy rock ‘n roll as it gets. The song is about the one who got away, which of course is a common theme within the genre. Once the green light is given for live shows to occur again, the track is surely to be a hit with dive bar crowds. From start to finish, the song demonstrates they are a well-oiled machine. What really makes “Jailhouse Woman” such a rowdy throwback is obviously the spot-on vocals and it is clear the band had fun making this song. The four-piece is at work on a cover of ZZ Top’s “Sharp Dressed Man” that is sure to slay, but those curious of what Ghost Train’s arsenal entails should listen to “For the Love of Money” and “Out of the Woods (Going Inside)“.

 

Madeline Finn – “Timing is Everything”: Transparent and unapologetic about who she is and how she feels, the former leader of Cleveland-based pop-punk outfit Envoi and alternative trio The Whiskey Hollow has reinvented herself into an alt-country pop star in the making. Now calling Nashville home, multi-instrumentalist Finn has dropped a bop with vocals and harmonies similar to respected singer-songwriters Gemma Hayes and Lesley Roy. Before releasing this poppy love tune, she won this year’s John Lennon Singer Songwriter Contest with the unrequited love anthem “Love Me Like I Love You.” A solo album is in the works from the 2018 American Idol contestant, but until then stream this year’s singles and last year’s release “Save Yourself”.

 

Mile 57 – “Submersion”: Released on April 24, this alternative rock ditty by the Massachusetts-based act displays fantastic musicianship from beginning to end along with powerful vocals to match. The song’s lyrics are of relatable subject matter to just about anyone who has gone through a toxic experience. “Submersion” focuses on calling the antagonist out that the protagonist will be a commodity no more, making it the perfect emo-rock anthem against suffocating relationships. The band plans to release a new record titled Amateur Therapy soon, however, alt-rock aficionados ought to take a stab at the trio’s 2019 LP Move to the City featuring “Rooftop Talks” the Harvey Danger-esque “Pretty Boy”.

 

My Dark Reality – “Ashes to Ashes”: The trio known as Nerak Roth Patterson Band may be done, but its two charter members are still in the rock n’ roll game. Both Nerak Roth Patterson Sr. and Jr. have aligned themselves with singer Amy Kendrick and drummer Tyler Bruntz to kick things up a couple of more notches. Their first single is a foot-on-the-throat tune with supreme vocals, high caliber guitar play from the first note to the final, and some on-point drum work. “Ashes to Ashes” is traditional rock at its finest that will surely be a hoot once live shows resume. If you head to the band’s YouTube page, there are vids of some other quality tracks as filmed at concerts like “Soul Sick” and “Black December”.

 

SADXCULT – “No Ghost”: Released on May 3, this emo-rock banger is part of the triumphant return to performing by ex-Absolute Hero frontwoman Sarah Nichole. The vocal chops are as good as they were in her AH days with the guitar play, drumming, and piano work in sync making for a formidable entry on Alternative charts. Major respect goes to SADXCULT for expressing her feelings full throttle and the output is thought provoking music from the heart with a lot of soul put into it. The equally formidable “Sunset” was actually the first single released in late April in anticipation of an EP due out soon. Imagine a hybrid of Amy Lee, Avril Lavigne, and Billie Eilish turned up 1000 degrees and you get the honest, unapologetic mastermind known as SADXCULT. Kudos to Sarah Nichole for reinventing herself and still maintaining part of her pop punk roots that brought her to prominence in one of Columbus’ most beloved bands.

 

Unlawful – “Blue Ivy”: The folk/Americana trio once called central Ohio home, but have since made their way to the Nashville area to take their game to the next level. Comprised of married pair Devin (vox/keys and Jeromy Sahr (guitar/percussion/backing vocals) along with Kyle Chatfield (cello), the group is off to a tremendous start this year. Along with new digs comes a new toe-tapping single that will certainly be a finger-snapping, clap-along fave at live shows. Tennessee has acquired a hardworking, prolific band whose members know their roles and play them succinctly making for some exquisite jams like “Blue Ivy” and previous releases such as “Voodoo Queen” and “Set it On Fire”.

ALTERNATIVE POP OUTFIT SOMETHING ELSE SET FOR SUCCESS WITH BRAND NEW SINGLE

Artist: Something Else

Single: “All My Fault”

Release Year: 2020

Members: Aidan Hall (guitar/vocals), Landen Gruszewski (lead guitar), Alex Dooley (drums), and Colin McMillen (bass)

On each and every song dropped, Columbus alternative quartet Something Else seem to create a standout masterpiece. Their 10 day-old release “All My Fault” already has slightly less than 1/2 of the plays on Spotify that their 2018 song “Breathe” has. The band demonstrates evolution and reinvention from previous singles, but maintains the charisma and swagger the group has exuded on those past tracks.

Something Else’s formula is to make the listener feel something deep as it keeps the fanbase growing on each and every tune. The band is known for fantastic live shows and are unapologetic for the flamboyance they ooze. Although “All My Fault” is different sounding from their other songs, it seamlessly fits into their arsenal. No one else’s voice and style can pull off what frontman Aidan Hall delivers on this emo-pop tune.  At first, the pace is actually set by on point guitar work by Gruszewski. The single’s brilliance is ultimately felt with the excellence put in by Dooley’s drum play and McMillen’s bass work. The four of them are a solid team that know their individual roles and together, it makes for a three-minute gem sure to draw airplay locally and hopefully beyond.

“All My Fault” is a poppy track meant to complement other releases, not compete against nor be compared to them. Something Else is the Columbus music scene’s Chris Jericho: They like to keep things fresh so each song stands on its own merit. Their current single and prior songs justify a record deal and here is hoping this is the year that this collective founded in 2016 breaks through the barrier and moves up the ladder. The attention and accolades being raked in are completely warranted and one listen to this latest work of pop rock brilliance will serve as evidence.

 

 

HELLO LUNA SINGER FACES PAINFUL PAST; BAND LOOKS TO BRIGHTER FUTURE WITH NEW EP

Artist: Hello Luna

Album: Dear Demons

Release Year: 2019

Members: Kenzie Coyne (guitar/vocals), Michael Neumaier (drums), and Eric Morgan (guitar)

Personally and professionally, 2019 has been very important to Columbus, OH alternative rock outfit Hello Luna. In excellent news, the group performed as part of the highly regarded SteadFast Festival which led to higher profile gigs and touring afterward. In sad news, however, their much beloved bassist left and lead singer/guitarist Kenzie Coyne became somewhat transparent about her traumatic childhood. Fast forward to now, where the trio has recently released the therapeutic EP Dear Demons in preparation for their November 2 concert at PromoWest venue The Basement.

‘Dear Demons’ is Hello Luna’s most emotional and deepest record to date with Coyne writing about her upbringing and its current impact on her life. The recently recorded songs with Eric Morgan and Michael Neumaier serve as a way for Coyne to deal with the mental scars and eventually heal. In an interview and review with Andy Downing for respected local publication Columbus Alive, Coyne revealed the physical abuse conducted by her father and that outside of some recent cryptic social media posts, even band members were not in the loop on what transpired. Also in the piece, it was made clear that Dear Demons is only the beginning of healing and that the EP alone is insufficient in dealing with such wounds. Coyne has mentioned that she attends therapy sessions to help cope.

Two tunes from the new album, “Lifeboat” and “Sympathize”, were released earlier this year to much fanfare. “Lifeboat” is similar in tempo and tone to the band’s first ever single “Stitching Holes” and is pure power pop awesomeness. The song is reminiscent of tunes local bands of yesteryear Manda & The Marbles, Saving Jane, and Miranda Sound cranked out. 

The band released a video for their latest single “Sympathize”, the song on the EP with the most potential to break the band to the next echelon. The guitar and drum intro is absolutely eerie, yet simultaneously beautiful. The song’s chorus is superb with Coyne’s spot-on vocals and the entire group’s musical contributions making it memorable.

On “False Alarm”, which for a time was exclusively spun on CD 102.5 FM, the band combines the styles of the EP’s first two songs and comes up with something harmonious that also has a lot of punch behind it. Coyne and Morgan’s guitar work and Neumaier’s drumming is timed perfectly. The track is excellently crafted, making it understood why this is getting airplay on a respected rock station. It and the album’s other tunes are worthy of being aired on stations worldwide.

The fourth tune is “Tongue Tied” and it is one that also is a hybrid of softer and harder aspects. This pattern is the album’s common theme that can be perceived as representative of anguish that turns to anger. Hello Luna wrote and performed this album’s songs of a serious subject matter with passion and precision. This approach makes the listener think about what they are hearing by providing just the right amount of catchiness.  

Dear Demons last and shortest track “Great Escape” brings everything full circle as it has its mellow and up-tempo moments, which is the EP’s common musical denominator. This is the record’s signature tune that sums up the main theme of confronting an uncomfortable past and vowing to overcome it. Credit goes to Coyne for opening up about a traumatic part of her life and to band members Morgan and Neumaier for handling the issue with care. There is no doubt that although Hello Luna’s latest offerings will serve as a form of therapy for not only survivor Coyne, but for those who have gone through similar situations.

When November 2 hits, bet that Hello Luna will give all they have at their PromoWest Live show. The first time they performed there, they sold the place out. The band, joined by strong support by Fashion Week and The Candescents, plan to have the upcoming gig do the same. Alternative rock aficionados will believe in this group as the band is absolutely betting on themselves with this hard-hitting, yet extremely reflective record.

HELLO LUNA RELEASES TWO SINGLES TO HYPE UPCOMING ALBUM RELEASE

From left: Michael Neumaier, Kenzie Coyne, and Eric Morgan.

Artist: Hello Luna

Singles: “Lifeboat” and “Sympathize”

Release Year: 2019

Members: Kenzie Coyne (guitar/vocals), Eric Morgan (guitar), and Michael Neumaier (drums)

Former members: Diego Villasmil (bass)

In 2017, Columbus, Ohio alternative rock outfit Hello Luna released the EP ‘The Ghost of You’ to much local fanfare. This included a heavily promoted sold-out concert at PromoWest Productions-owned venue The Basement. Fast forward to two years after that achievement and the band is back with two newly released songs to build anticipation for their new album ‘Dear Demons’, due to drop this fall. The EP will coincide with an official release show at The Basement on November 2. If the group can maintain this trajectory, this might be the year they achieve what very few hometown bands have obtained.

Released in April, ‘Lifeboat’ starts off with the strong guitars the band is known for, assuring listeners they are in for a wild ride. Soon after, Kenzie Coyne’s powerful yet angelic voice comes into play and perfectly matches her guitar work along with Morgan’s skills, Villasmil’s slick bass lines, and Neumaier’s on point drumming. Those who love late 1990s and early 2000s alternative rock will fall in love with this track from start to finish. The tune is reminiscent of the group’s first ever released song “Stitching Holes”, which put them on the local music radar.

In late July, the three-year old trio dropped “Sympathize”, a track that they have been performing live for a time, most notably at this year’s Tuned Up Music’s Steadfast Festival. An instrumental version of this in the background of a Freeform drama would be golden, but Coyne’s solid vocals on this song make it platinum. A good as their signature song “Sound and Sorrow” from their first EP is, “Sympathize” is the one that should get Hello Luna a record deal to take them to astronomical heights. Decades ago, local acts Howlin’ Maggie and O.A.R. had songs make the Billboard charts and those bands were the benchmarks in terms of success. They have since been surpassed by the newest central Ohio sensation Twenty-one Pilots as the bar.

It is safe to say that if Hello Luna reaches a fraction of the attention and adulation that TOP has, they have done something right and something great. It could not happen to such talented, bright, intelligent, and hard-working individuals like Coyne, Morgan, and Neumaier. Other highly talented local artists with slickly produced and well-executed material should have a brush with fame and may reach those heights one day, but for Hello Luna their time is here and now.