Temple 95 – “Joy”: Out of Columbus, Ohio comes an atypical and dark hard rock band ready to take the scene by storm. Off their highly anticipated debut EP titled Immolatus Agnus, “Joy” is officially the final and lengthiest track and has a throwback classic rock vibe to it, balancing modern eeriness with a retro sounding sound. The guitar play is a combination of polished with a tad of grit, the drum work is spot on to keep the harmony in line, and the vocals are intentionally raw to give the song its throwback sound. Old school rock aficionados who love iconic acts Rush, Iron Butterfly, and ? and the Mysterians should dig it, whereas newer generations of rock n’ roll fans are going to respect it. They are going for something different from what is being recorded and performed right now and by releasing delightful and dynamic nuggets as found on the EP, things are going according to plan. Temple 95’s Instagram feed is controlled by a haunting and mysterious collective named the Ministry who provide creative, thought-provoking posts. The band is already planning to drop a new EP titled Psychopathy this fall. When it is all said and done, “Joy” ought to bring the brooding, grim-themed group a little joy.
Trey Pearson – “Lucky”: The wide-ranged Columbus pop artist’s latest single is excellent in building anticipation for his new album Somebody You Knew, due out July 1. Pearson puts on one of his most prolific performances with an eloquently constructed ballad that has brilliant beats in sync with his pristine vocals. He never sings something just for the sake of making a buck in that he is writing and recording serious songs of substance. Every time Pearson sings, it is from the heart and soul and “Lucky” reiterates this point as listeners will hear the emotions and be affected to some degree. Empaths will be moved by the chorus that is a celebration of love and triumph in a world of vitriol and tragedy. Pearson hits all the right notes on the song and the same can be said for his career. He is coming off an appearance on PBS’ True Colors special which featured the iconic folk duo Indigo Girls among other musical acts and hosted by Jeopardy! Champion Amy Scheider. Furthermore, Pearson performed as part of his hometown Columbus’ Pride Weekend festivities, which were projected to have had nearly 700,000 attendees. Progress in the industry has seen Adam Lambert, Troye Sivan, MUNA, Lil’ Nas X, Brandi Carlisle, and more let their music speak for itself and flourish. Pearson is ready to make the leap to stardom on his artistic merit and “Lucky” continues the glorious journey.
undergrads – “Ball”: The Columbus rock outfit’s follow-up to their raucous rager “Epicenter” does not disappoint from start to finish. “Ball” begins with marvelous melodic guitar play with excellent emo vocals coming in seconds later. A perfectly placed drumbeat comes in afterward and rampaging riffs mixed in. A cunning chorus takes this to soaring heights with believable lyrics worthy of empathy as many in the local scene relate to the corporate dayjob life as they pursue their ambitions. The song’s realism, the on-point musicianship, and sharp arrangements reinforce this song’s status as one that can earn them a record deal and take them to the next level. Rock lovers are going to have a ball playing “Ball” over and over, making sure it catches on. These lads have their most mainstream single to-date and with a little editing of the verbiage, this gem has top-of-the-line terrestrial radio hit written all over it. Until they are signed, it ought to be part of multiple playlists and on repeat for the foreseeable future.
wyd – “WMN”: Every time this Columbus indiepop trio drop a track, it is going to be a comeback and what a comeback the band is experiencing with their latest work of genius. On Spotify alone, “WMN” is their third most streamed tune to date, but that will change and their soon to expand fanbase will be increasing the streams in no time. The group made up of lead vocalist/guitarist Carly Fratianne, drummer Courtney Hall, and synthesist/background vocalist Maddy Ciampa return with their first piece of recorded music since the 2019 EP SICK/DEATH/AFTER. The band’s newest single exudes tantalizing soulful goodness with each member giving their all to provide their vision of pop perfection. Hall’s precise percussion work is in absolute harmony with Fratianne and Ciampa’s sharp singing chops reiterating the song’s R&B radiance. Imagine Macy Gray, H.E.R., and MUNA collaborating and the result is this genre-crossing hit-to-be. “WMN” is on the official soundtrack to the critically acclaimed indie film Poser, in which both the album and movie showcase the eclectic local music scene. As the film and soundtrack gain praise, wyd will see a bump in popularity and if the right people get an earful of “WMN”, the song and the band will be on the cusp of greatness. Each of their releases are special as they take their time to create high-quality, purposeful music at their pace and alt-pop enthusiasts ought to take a major liking to this radio-ready gem full of style and substance.
Kikko Mai – “idk why”: The second ever single by the Columbus singer-songwriter is every bit as great its predecessor “pinky promise”, showing this astounding artist is way ahead of the curve. Her latest offering slows the pace down from her impressive pop punk debut, yet with no drop-off in quality detected. “idk why” is made of a brilliant blend of outstanding acoustic guitar, Mai’s sensational vocals, and a hitmaking pop beat. She provides evidence of an expansive vocal, performing, and songwriting range by presenting listeners with a top-notch Top 40 pop ballad faster in tempo than Avril Lavigne’s “I’m With You”, but just as musically effective. As Mai exploits audio-visual social media platforms such as Instagram and TikTok to get her name and music out there, it is only a matter of time before label execs get wind of one of the next generation’s surefire sensations. By scoring grand slams on her first two recordings and with live events in full swing, Mai should have no trouble procuring opening slot bookings to show the local scene she is set to be a major player for years to come.
Rose Crest – “Effigy”: Pop punk with a kiss of emo is alive and kicking thanks to these lads from Dayton, Ohio and if they keep up this pace, the genre will survive for quite some time. The band goes all out on their newest tune with marvelous mixing by Huge Face Productions of each member’s part to create a short, yet sweet sounding rock single that scores high on the ear candy scale. Made up of gents Brandon Sorrell on lead vocals, Danny Council and Addyston Tucker Ray on guitars, Matt Atha behind the kit, and Jackson Medlock handling bass, “Effigy” is a bounce-off-the-walls banger that may give the band their break. The song’s infectious chorus, sizzling guitar riffs, fiery drum play, blazing bass, and sharp vocals display high-end sounding production value all thanks to Sandwich Jones. The team at Black Moon Recordings, who handled the mastering, deserve a ton of praise for the final draft that should carry the quintessential quintet into the year’s second half and beyond. “Effigy” is certainly a song with alt-rock awesomeness from start to finish that will help Rose Crest in growing their big sounding brand sooner versus later. This is not bad considering the group has only been dropping tunes since last year. If they bring the same kind of heat to concert sets that they did with this tune, Rose Crest will see the bookings and crowds increase for years to come. Credit and kudos go to James Robertson for the “Effigy” visualizer that will only help skyrocket the group to new heights.
TRUSS – “Reset My Head”: Best known for their remarkable debut single “Mayhem” with over a half-million Spotify streams, Cleveland’s premiere hard rock quartet is back with a butt kicker of a tune. It is an excellent premiere single that serves as the title track of their first full-length due to drop July 15. TRUSS’ newest gem is their first new recorded material since their cover of Soundgarden’s “Fell on Black Days” and they prove their original material is on par with major label bands’ best. From the jump, “Reset My Head” takes no prisoners with Guitarist Eric Kennedy providing rip-roaring riffs that continue throughout. Lead singer Hannah Crandall is the straw that stirs the drink and brings sizzle and passion with her vocal output. Drummer Holden Szalek delivers a powerful and impassioned effort behind the kit that mixes well with Kennedy’s guitar work. Delivering a unique blend of bass play is Thomas Rastatter and his craftiness fits the song like a glove. This song is an excellent example of the group’s durability and cohesion as songwriters and serves as amazing anticipation of the new record. If the remainder of the album is just as on-brand as the title track, TRUSS will not be unsigned much longer.
The Fifth House – “Charles Bukowski (But Not Because We Like Him)”: The Cleveland-based indie rock quartet’s musical arsenal is what Forrest Gump would call a box of chocolates. Their latest offering is styled quite differently from anything else they have released much to their fans’ fascination. The tune starts off as a heartfelt ballad with standout performances by lead vocalist/bassist Julia Crow and keyboardist/backing vocalist Caroline Hennebert. The first half will grab at listeners, but then after the two-minute work the band speeds things back up to their eccentric indie rock roots. After this point, guitarist Wesley Crow, and drummer Luke Kaylor really get to do their stuff and much like Julia and Hennebert, the fellas hold their own. The song’s arrangement and mashup of melodies is admired due to the challenges that come with creating and performing a song of this magnitude. Much respect should go to The Fifth House as it cannot be easy to pull off a hybrid of part ballad, part indie rock banger but their chemistry makes it flourish. The creativity alone should please their fanbase and gain them a bigger following along the way. Their uniqueness goes beyond the audio aspect as the band released a vid that is a throwback to the silent film era. Indiepop enthusiasts will get a kick out of “Charles Bukowski” as it demonstrates the band’s marvelous musicianship and is unlike anything else out there today.
Tornsey – “I Feel Fine”: Nashville singer-songwriter Tess Schoonhoven has release recorded music previously to much praise, however, this serves as a rebirth being the first single under her new moniker. After taking a personal journey she has been transparent about, Schoonhoven felt it was time for a change musically as well. The result is a ravishing rebranding that makes a significant splash. Co-written with Ty Combs, “I Feel Fine” is a pop bop about the process of getting beyond a breakup. The self-care anthem will resonate with listeners due to Tornsey’s realistic lyricism set to a late 1990s-esque pop styling. Although the subject matter is relatable to many, the song is atypical of what is being released right now which Tornsey should embrace with a badge of honor. “I Feel Fine” has poignant and melancholy undertones as a cocoon that becomes an uplifting butterfly of hope. This helps the outstanding re-debut stand out amongst the pack of other artists’ recent releases. Tornsey makes her point in short order as the song is under three minutes in length, but the happening harmonies and fabulous musicianship ensure the song is not short on quality. Schoonhoven’s identity musically and individually has found her having a pep like never before and the proof is in her latest masterpiece.
Back Alley Pep Rally – “Saturday Night Beaver”: Released in the early part of this month, the latest rager from the Dayton-based metal trio is one of wildest rides listeners will be taken on in recent memory. Comprised of Justin Rissmiller (vox/guitar), Dan Mehal (vox/bass), and Tony Garcia (drums), BAPR are short and to the point when it comes to the songs they play and their newest one is no different. Those who like their metal monstrous and fast will enjoy “Saturday Night Beaver” as it is a headbanger that will leave listeners with whiplash to the utmost extreme. Garcia’s drumming keeps up with the speed of Rismiller and Mehal, who are absolute beasts shredding their respective instruments. It sounds like an excellent tune to play during a horror flick’s action scenes and if the T&S recording artist keeps up songs like these, filmmakers will take notice. The razorblade riffs and overall precision on display will garner the blokes a great deal of respect for crafting the perfect song to unleash pent up energy in these days of unrest.